The mission of this blog is to honor, non-commercially promote, and educate the world about Benjamin Orr, former bass player and one of the lead vocalists for the new wave rock band, The Cars. Articles here cover a whole range of topics surrounding his life, his career, and his continuing legacy. Enjoy!
On his bass rig: “I’m a big fan of Fender Precision basses. It’s got the brightness I need and the active electronics. I’ve used the Steinberger, but it’s a bit brassy for me. I don’t really pay attention to strings. My bass roadie does all that.” — from “Benjamin Orr: The Cars’ Mr. Casual Steps Out” by Rob Tannenbaum, Musician Magazine, March 1987
“Ben was a good friend, and we played a lot of great music together in just a few short years. We were pals. I’ve only known a few great singers who were pure ‘naturals’ like Ben. He just opened his mouth to sing and sounded perfect—like a hit record.
“His musicianship was stellar, and he was just a very fun guy to know and hang out with. He was consistently a good and kind fellow, and I’ll always miss him and remember fondly all the good times we spent together.” — Danny Louis of Gov’t Mule, formerly with Cap’n Swing and founding member of The Cars, Let’s Go! Benjamin Orr and The Cars by Joe Milliken, p. 65
Two thousand nineteen marks the 20th anniversary of the creation of the last band Ben ever played in: Big People!
Joe Milliken’s book, Let’s Go! Benjamin Orr and The Cars, is an amazing resource for background on this band (and Ben’s whole life, obviously!), with a whole chapter devoted to how the group came together, including quotes from all the major players. I’ll just give a brief summary here:
Originally the brainchild of drummer Michael Cartellone (Damn Yankees, Lynyrd Skynyrd), Big People was a supergroup consisting of guitarist Jeff Carlisi (38 Special), guitarist and keyboard player Pat Travers (Pat Travers Band), and vocalist and rhythm guitarist Derek St. Holmes (Ted Nugent). The initial purpose was to play a few weekend club sets and enjoying jamming together, but others in the business suggested they push forward as a full-time band.
Ben was approached to join the group as the bass player in March of 1999. Cartellone ended up being hired to play drums for Lynyrd Skynyrd before Big People could really get off the ground, but fortunately Liberty DeVitto (Billy Joel) was at the tail-end of his commitment to Billy Joel and he was free to join this exciting new endeavor.
Big People pulled together a setlist that was packed with hits, as each member brought the best of their rock-and-roll resume to the stage. Under the encouragement and wisdom of manager Charlie Brusco (and later Billy Johnson) and tour manager Joe Dlearo, the band began rehearsals in April, 1999, and the guys knew they had stumbled on something great. In Let’s Go! Pat Travers said, “At the rehearsal studio for our first play together, I suggested playing ‘Just What I Needed,’ and when Derek, Ben and I sang together for the first time, wow! What a blend. Our three voices, with myself on the bottom, Derek on top and Ben singing the lead, had this amazing sound to me that was tight and sweet.” (p.180)
As the guys played together over the next few months, their harmony continued to build, both in rock-and-roll badassery as well as in friendship. They were picking up more and more gigs, and the audiences loved them. Eventually they landed a tour with Styx, which gained the band even more exposure. They were really clicking along and had plans to write original material together.
It was also during this time that Ben met Julie Snider, the woman to whom he would soon become engaged, and who would tenderly and tirelessly care for Ben until the end of his life. Footage and photos of Ben during this time show him to be relaxed, happy, and looking much more youthful than he did in the mid-90s.
There are SO many great quotes in Joe’s book about all of this, and I’ll feature some of them in future “In other words:” posts, but you’ve just got to read the book to get a true feel for the promise and excitement that everyone was feeling about Big People’s potential.
I recently had the honor of connecting with both Liberty DeVitto and Jeff Carlisi and asking them about their time with Big People. They each have such fond memories of those idyllic days, and find it hard to believe that twenty years have gone by since they were all rockin’ together.
And while I don’t want this article to be a downer, we can’t ignore the fact that it sucks so much that it all had to end. Ben really was the hinge that held it all together, and when he passed away in October of 2000 the band’s momentum fell flat. Their manager prompted the guys to hire a new bass player and get back in the game after Ben died, but their hearts just weren’t in it anymore. Jeff told me, “We didn’t have any interest in keeping it going once Ben was gone.” Liberty echoed that sentiment when he said, “When we lost Ben we lost a rockstar. There was no sense in going on. We love Ben. He was a great guy and a great singer and player.”
Big People’s first official show was on July 24, 1999, up in New Brunswick, Canada, at a place known at the time as Shediac Can-Am Speedway (now called the Shediac Centre for Speed). The three-day weekend event, called Rockfest ’99, featured acts like Nazareth, Collective Soul, ZZ Top, Styx, and April Wine.
The guys were excited on their flight to Canada, eager to make their public debut. The show itself went well. Like all bands playing out for the first time, there were rough edges to smooth out, but Jeff felt really good about the music and about the natural chemistry between the guys. “I remember calling my wife after the show and saying, ‘It’s like I’ve always been in this band all my life.'”
Their second playout followed in August of that year, at a festival called Itchycoo Park ’99: The Camping Experience. This is the show I really want to focus on here, since it’s one we can actually watch.
Held in the middle of a big farm field in Manchester, Tennessee, Itchycoo was kind of an unusual event in its day in that it combined a music festival with camping. It was a bit of a throwback to Woodstock in that way, and is considered an early (if unsuccessful) forerunner to long-established camping concert events like Bonnaroo (which is held on the same site), Sonic Bloom, and Coachella.
Looking at the extensive list of bands on the bill, this event should have been an absolute smash (at least in my opinion!). It featured some of the most iconic names in music history, including Sammy Hagar, Joan Jett, Paul Rodgers, Styx, Ann and Nancy Wilson… so many legends! Check out the posters below; you won’t believe it. And the whole weekend — all four days — for only $80. Holy cow!!
Early ad, from the Itchycoo Park Facebook page
Schedule, from the 45worlds.com
Event guide, from the Itchycoo Park Facebook page
As you can see, early advertisements of the original lineup don’t list Big People, but later they were added to the roster to perform on Thursday, August 12, at 4:00, sandwiched between Rick Springfield and Mark Farner. Jeff believes they actually played Friday, probably between Paul Rodgers of Bad Company and preceding John Entwistle of The Who, and the event guide (above right) supports that schedule. Of course, the actual slot doesn’t matter; Big People was going to take the stage!
As it would turn out, the event organizers were in for a pretty crushing blow. Expecting to draw at least 60,000 people (but hoping for 80,000), the event actually only sold around 20,000 tickets. On top of that, the Tennessean reported a few other stink bombs:
a few of the acts were no-shows, including Ann and Nancy, who were slated as the grand finale
the agency providing security for the event departed in mid-afternoon on Sunday, causing the officials to recruit spectators as security guards for the remainder of the festival
promised electrical hookups for RVs weren’t provided
vendors complained bitterly about the lack of communication, poor overall organization, and puny profits.
It shouldn’t be a surprise, then, that the Itchycoo Park festival did not return the next year. Interestingly, only three years later the Bonnaroo festival would sell out their event on the same site, and that event has continued to be a roaring success for nearly twenty years.
As for the Big People experience? Luckily for us, we can witness it ourselves, even 20 years later.
The band launches into “Just What the Doctor Ordered” with guns blazing. Liberty’s explosive drumming and Derek’s vigorous vocals let you know that in spite of the smaller-than-anticipated turnout, these guys are here to kick ass. And they do! Every one of them are masters of their craft, seasoned professionals with the hearts of grown-up kids looking to jam with their buddies. So much freaking talent on that stage!
Derek acts as the main frontman for the group, playing to the crowd and ushering each song into the next. He is a natural showman, animated at times, clearly thrilled to interact with the audience. We can excuse him for fumbling around the lyrics a bit because his voice is an indomitable siren call to rock.
I’m addicted to watching Liberty play. Always a splashy drummer, his movements are exuberant and fluid, his sticks clearly an extension of his arms. I simply canNOT sit still when he’s going at it.
Jeff Carlisi roams the stage unruffled. At times he stands facing the crowd with all the aloof confidence of young Caesar, at other moments he is grinning like a kid at his first rock concert. When it’s his turn in the spotlight he steps up to the edge of the stage and blazes through his solos with restraint, like it’s just a walk in the park.
Pat Travers definitely brings the most ‘hard rock’ attitude to the stage, wowing the crowd with his passionate guitar playing. His performance of “I La La La Love You” is captivating. I love it, too, how he covers the keyboard parts for “Let’s Go” by handling most of it on his guitar and later switching to the synthesizer.
And then there’s Ben. He smiles throughout the show, looking much more lit up and youthful than he has in so long (compare this to his performance at Viele’s Plant just a year before). His vocals are strong and sexy. And the camera clearly loves Ben. There are many slow pans, capturing his content, cat-that-ate-the cream looks. Later, when he removes his sunglasses, we can see he is clear-eyed and happy. Serene. At peace. It’s so great to see him connecting with crowd, and joking around with his bandmates.
The stifling heat threatens to make things difficult. Big fans are set up around the stage, but it’s clear the guys are affected. Derek mentions it a couple of times, Liberty is pouring water over his head, and the guys are mopping their faces between songs. At one point Pat stores his guitar pick on his cheek, apparently adhering it with his sweat (ew! lol). But there’s Ben, looking as cool as a cucumber in his heavy leather jacket and shades. Electric angel rock-and-roller all the way, baby!
Big People’s happy, confident chemistry is palpable. Derek’s hyper-puppy energy offsets the cool demeanor of Pat and Jeff as they volly through their lead guitar solos like it’s the US Open. Liberty’s energy is both controlled and contagious, while Ben is, as always, unassuming and quietly badass. They are on a big stage but they make it feel more intimate by the way they interact, trading smiles, jokes and rock-and-roll flirts with each other through the set. All five connecting, all five communicating with each other.
It’s obvious these guys love each other so much, and that is something that both Liberty and Jeff emphasized to me. Jeff said, “In those two years or so, the six of us [including Julie] traveling on the road… we lived so much life together. That’s the best part about that whole thing: those relationships. They changed my life.”
Jeff has given me the go-ahead to start a Facebook group for Big People. Please come join! It will mainly serve as a centralized collection site for all information and memorabilia I can round up about the group, as well as biographical tidbits and current happenings of the various members. Jeff indicated that as he came across stuff in his own files he’d send it to me to share, and I am hopeful that others will contribute as well. And of course, I welcome all fans to chime in with their thoughts, memories, and photos, too.
I’m hoping to write lots more about Big People in the future. In the meantime, please click below to enjoy the one concert we currently have access to, live at Itchycoo Park!
“I’m real casual with the whole thing. It’s tough to be the best at anything, and I don’t really strive to be the best bassist in the world.” — from “Benjamin Orr: The Cars’ Mr. Casual Steps Out” by Rob Tannenbaum, Musician Magazine, March 1987
Panorama: My favorite album, and my favorite album cover! Gorgeous, right? Simple, clean, and badass.
Here’s a misconception we can clear up pretty quickly:
Cars’ drummer David Robinson is sometimes credited with painting the flag for the cover of the Panorama album. This Nightflight article states it, and I believe Wikipedia reported that at one time, too. Did you believe it? I did!
Well, it’s not so. David himself set the record straight in a Facebook post:
That’s pretty definitive!
And of course we know that Paul McAlpine did the rest of the photography for the record, including the very cool cover art on the back, and the lovely album sleeve.
Heck, he took a ton of great photos of the band! If you’re not familiar with his work, do a quick Google search of “paul mcalpine the cars” and prepare to be amazed!
I do have to say, David’s “obviously” in his comment above made me feel a little foolish, because I did not doubt his ability to make a painting that looked so great. Was that naive of me? My husband did a pretty decent job with the duplicate he painted for me, so I thought, “Why not?” 😉