Vive la France!

On November 27, 1978, The Cars performed at the Theatre de l’Empire in Paris, France. At the time of this performance, their debut album had only been ‘out there’ for about 6 months. They were (relatively) young and hungry to make their mark, but polished and professional; they had been working the stage for years to get where they were. The show they played for a difficult audience in the UK was less than a week behind them, and one might expect that the band would be defensive, cautious, or exuding tension, but the very opposite attitudes were evident. The Cars were confident in their sound, their style, and in one another. They played with class and expertise and that incredible synergy that would continue to be their trademark through the years.

franceAs to the actual preservation of this event, my research so far has turned up only sketchy details. I believe the concert was aired on a French program called Chorus on December 3, 1978. This television series was hosted by Antoine de Caunes, and was evidently France’s version of rock music television, giving venue to many of the up-and-coming new wave and post-punk bands of the day.

The Cars played a total of seven songs: Good Times Roll, Bye Bye Love, My Best Friend’s Girl, Moving In Stereo, All Mixed Up, You’re All I’ve Got Tonight, and Just What I Needed.

Apparently in 2010 a 3-DVD boxed set of the show Chorus was released including footage of bands from 1978-1981, but according to the track listings, The Cars are not included in the set. Rumor has it that when the socialist government took over in 1981 de Caunes arrived in his office one day only to realize his whole collection of complete, unedited gigs on Beta tapes that had been in his office had been thrown out. If that’s true, there may not be an official recording of The Cars’ entire show left.

A scouring of the ina.fr website (France’s official audiovisual archives) yields little additional information but a smidge of hope… There is a short ‘teaser’ segment video, about 1 minute long, that allows us to see the beginning of the concert (a portion of “Good Times Roll”). The website also offers a video available for download for about $2, but from the description it seems that it is only the first three songs of the concert, and appears to be about 12 minutes long. I’m having a time trying to translate the French and navigate the website to purchase this but I’m not sure if they sell to the United States. I have sent a message to their staff; hopefully I can get my hands on it.

There are also four ‘audio only’ fan videos from the show on youtube: “Moving In Stereo”, “All Mixed Up”, “You’re All I’ve Got Tonight” and “Just What I Needed.” A quick search of ‘the cars france audio’ will pull them up for you. The sound quality is a little muffled but worth hearing, and the videos are hugely appealing, visually.

In the meantime, there is currently ONE youtube video segment** of them on the stage in France: the footage of them playing “Bye Bye Love.” And oh, what yummy footage it is!

The stage is wide and spacious, the atmosphere is reserved, and the lfrance4ighting is soft and clear. The boys are all dressed up in classy rock-and-roll attire. The audio starts out a little muted but you can tell the band is perfectly tuned in to each other and ready to rock. After the initial camera work barely catches the epic bass riff at the beginning, the second cameraman is generous with his profile shot of Benjamin singing through the first verse and bridge before retreating to take in the whole front lineup of the band during the chorus.

The real visual triumph here starts during the second verse, when the production team has the presence of mind (and the space!) to scootch around the left side of the stage and around to the back, where we are given the rare treat of getting to see David in action with his drums. I love this! I always wish we had more footage of him doing his thing. (Side note: this clip inspired my 10yo’s nickname for David: he calls him ‘Baby Clothes.’ Hahaha!)

Not only do we get to enjoy David’s talents, but almost immediately afterward we’re able to watch Greg banging out his synth solo in its entirety, with a nice slow pan of the camera and great lighting. I get such a kick out of watching him work those keys; he’s such an incredible musician!

The camera work kind of falls apart a bit after that… There’s some nice close-up attention on Benjamin again but when it comes time for Elliot’s solo, which we can clearly see he is ready to absolutely burn the place down with, the cameraman is instead focusing on Ric, who manages a smile before he seems to realize he’s not the one who should be in the spotlight at the moment. Benjamin brings the show back around, though, when he zeroes in on Elliot for their traditional “Bye Bye Love” connection. Incredible way to end the song!

Some mini-delights of the video that you may or may not have noticed on your own…

  1. I’d bet a case of Reese’s Peanut Butter Cups that Greg is wearing Benjamin’s tie from the Rock Goes to College concert. I am *so* adding that to my ‘twinsies’ article.
  2. Looks like you can see the guys’ set lists on stage: one on the floor by Benjamin’s effect pedals, one on the amp stack behind Elliot, one on Ric’s side of the drum riser, and one taped to the top left of Greg’s keyboards. Kind of cool.
  3. I love that Benjamin is wearing a little black Cars pin on the left side of his vest (the same vest from RGTC, by the way (thanks for noticing, Jen!)). I wish I could see clearly the pin on his right. I noticed that Elliot is wearing two very similar pins to Benjamin’s on his shirt… another ‘twinsies’ moment? If only I knew.

WARNING: It’s all about the Benj from here on out! LOL

I know that the lyrics “electric angel rock and roller” might very well refer to Maxanne Sartori (the Boston DJ who helped launch The Cars), but to me those words will always call up the image of Benjamin in this performance. Dressed in black from head to toe (with the exception of that sexy burgundy choker); his blonde hair perfectly styled and shining; that gorgeous red Vox hanging off his manly frame, and that face that I can never resist, he is the epitome of the beautiful rock star. Sheer perfection.

I will let you find your own delicious moments to squeal over in this video — there are plenty! —  but I can’t resist pointing out a few of my favorites. As always, the energy between Benjamin and Elliot sparks from the beginning and includes that adorable smile exchange at 2:02 and their intense (but slightly out of focus) ending. When he’s not rocking it up with EE, Benjamin is making me crazy with his sensual facial expressions. Catch him at 2:41, the unmistakable appeal of 2:56, and the ‘hard to get’ attitude at 3:05. And that mouth at 3:12! Okay, okay, I’ll stop now.

Watch it for yourself and tell me your thoughts.

 

**UPDATE 7/13/16: Buntastic uploaded the 3-song set from ina.fr to youtube!!! Wahoo!

 

 

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It reminds me of him.

“I’ll say this about Cleveland: that city is rock and roll. Those people love music to the point of being insane. They’re crazy… Cleveland ain’t Hollywood. It ain’t foo-foo. They need something to distract them. So they play football and they rock. The music they make is gritty. You’re not going to find that scene anywhere else.”

— Pat Benatar, Between a Heart and a Rock Place

cleveland
Photo by Marco Glaviano

Quoting Benjamin

“We don’t have anything extravagant. We still keep it simple and in perspective, I think. I’m here to make myself happy and the woman I’m with happy, as best I can. I don’t want to own the world, just want to do this, ‘cause it’s fun for me.” — Elektra Bio, The Lace press kit, 1986waiting1

Lyrics: Wake Me Up

DISCLAIMER: I have changed a couple of the lyrics from the generally-accepted versions posted on the web because (1.) I am 100% confident these are the words our Benjamin is actually singing, (2.) the Cap’n Swing version (called Indigo) makes the lyrics even more obvious, and (3.) Ric’s book, Lyrics and Prose, clearly supports the words I changed (thanks, Jen!). I marked the lines that I edited with an asterisk. Take a listen and see if you agree.

Wake Me Up by The Cars

Wake me up in the middle of the flight

Show me which way to go where the wind won’t blow

Swing me up, sweet purple June

Hold me like I’m a child that’s about to go wild

I’d like to know just where you’ve been; if you would like to try again

I’d like to slow this spin I’m in…

Would you like to begin?

 

Silver Sunday tease my eyes*

I am too dissatisfied with your other side*

Roll me up and drop me down

Lay me back in New York town; that’s where I’d like to be found

I’d like to know just where you’ve been; if you would like to try again

I’d like to slow this spin I’m in…

Would you like to begin?

 

Roll me up and drop me down

Lay me back in New York town; that’s where I’d like to be found