I can’t recall exactly how I first learned that Cap’n Swing was the precursor to The Cars, but I distinctly remember the first time I heard a Cap’n Swing song. I was sitting in my home office, obsessing on Benjamin, when I clicked on this video (link below)… and I was blown away.
The initial music was kind of rollicking; a happy little tune, almost ‘young,’ with that peppy keyboard riff. Then Benjamin’s voice came in all seductive and lush, singing that chorus, and I was captivated. I couldn’t wait to hear what he would say next. And he started to tell a story that transported me back… back to those days of my budding awareness of the opposite sex; those early days of exploration. I felt like he was describing that one time in the sixth grade with Robert Tranberg, on the trail in the woods behind the house: those first tentative touches, clumsy attempts at figuring out what our hormones were calling us to, but everything still so innocent and confusing. It brought on that ache of longing and nostalgia and beautiful pain of those early teenage days…
And all of it was couched in this sunshiny music, his evocative vocals. I had to listen again. Now that guitar grabbed me, those simple but pushing notes that accentuated the sensuality of the song. I loved the part behind “stabbed into the thick black air…” and on to the chorus; it was so perfect. Then I got into the keyboard solo, playful and light, and it blended so perfectly into the guitar solo, which told of the heights of those confusing emotions… until Elliot brought me back down again and handed me over to Benjamin and his “yeah, yeah, yeah.” And the next lines captured the internal struggle of me as a young teen: “like a hypnotized baby… out there, trying to feel it all somehow… out there, well they really don’t care at all.”
I was hooked. HOOKED. And as you can guess I had to go on to listen to as much CS as possible and devour all of it, but “Come Back Down” will always hold a special spot inside my heart, will always speak to that young girl in me.
(I posted those wonderfully impetuous lyrics by Ric Ocasek separately; click here to read them.)