Every time something new pops up in the Cars world I am ecstatic on two fronts: first, because another elusive piece of the band’s history has fallen into place, and second, because it bolsters my hope that there is even more yet to be revealed. And that’s on top of the thrill I always feel at just seeing or hearing my forever-favorite band. Anyway, you can imagine my elation when I returned from a recent trip to discover that a VERY cool friend had sent me some VERY cool files: new recordings of The Cars at The Rat!

Now you might remember that The Cars played The Rat for a four-night engagement spanning Thursday, April 28, through Sunday, May 1, 1977. A few months ago I uploaded an audio file from that weekend, though I wasn’t sure which of the dates it was recorded on. Well, with these two totally new shows, I’ve been told that they are specifically from April 30th, so they would be the Saturday night performances. As you’ll see below, each set offers us a previously unpublished gem, which makes these audios even more delightful.

In case you haven’t seen it before, on the right is an advertising flyer from that weekend. The Cars shared the bill with The Good Rats. I’m not sure who was the headliner; the way the ad is designed makes it look like The Cars were the big draw, but they were a fairly new band at the time (though the members themselves were not unknown). I think The Good Rats were still enjoying the regional success that followed their 1974 and 1976 albums, and they were coming up from New York, so they might have been a bigger deal? Oh, and each of The Cars’ sets was only about 1/2 an hour long, which seems more like a warm-up than a main event.

Okay, I got off track there, because I’m sure it doesn’t matter who was the headliner, but I was trying to imagine the order of the night. I’m going with The Cars, then The Good Rats, then repeat. There, I feel better now that I have that settled. Haha!

No more goofing off — let’s dive right in. Here’s the first set list, with the audio below:

  • 00:00 Leave Or Stay
  • 03:04 Cool Fool
  • 05:48 You Can’t Hold On Too Long
  • 08:54 Don’t Cha Stop
  • 12:25 My Best Friend’s Girl
  • 16:23 Gimme Little Sign (Brenton Woods cover)*
  • 19:40 I Don’t Want To (Elliot Easton on vocals)
  • 22:18 Strawberry Moonlight
  • 25:16 You’re All I’ve Got Tonight
  • 29:54 Just What I Needed

Some of my reactions to this set:

  • A lot of times when you go to shows, the crowd doesn’t seem to pay too much attention to the opener. The band might start, but people are still milling about, greeting friends, ordering drinks, and so on. I’m sure that was the case here, too, but the recording also picks up the sounds of cheers and whistling from the crowd at the beginning. I love it!
  • You have to know that I am thrilled that these recordings have come out of hiding — thrilled. But… there is one eensy weensy thing I wish I could change: I noticed that most of the transitions between songs have been edited out. That’s a little bit of a bummer because I feel like we can often glean several tasty bites of mood and personality from those breaks. Oh well! Not everyone’s as obsessed as we are. Better to have it with some edits than to not have it at all!
  • Let’s discuss the duo vocals on “You Can’t Hold On Too Long.” I have to admit it makes me wrinkle my nose a bit. Is it because I’m too in love with the album version? Or is it more that Ric’s voice clashes too much with Ben’s in this case? I mean, obviously there are many recordings where the two share the vocal duties successfully, but the disparity in their styles just doesn’t seem to blend well here.
  • I wish I could hear the what’s going on in the background after “You Can’t Hold On…” because I want to know what Ben is responding to when he says, “It’s not called that at all.” Sounds like he’s feeling squirrely!
  • I love Greg’s keyboard riff behind the chorus of “My Best Friend’s Girl” — it’s catchy! On the other hand, the absence of Elliot’s guitar solo is tragic. I’m glad that was eventually remedied; it totally changed the whole vibe of the song.
  • The big surprise in this set is the band’s cover of “Gimme Little Sign” by Brenton Wood (which I also carved out and posted separately). It’s been known in the Fanorama for a long time that they played this in their early days, but this was the first time I heard it. It’s great! Ric takes the lead vocals, but Ben’s voice is prominent in the chorus. Not sure who is doing the falsetto backing vocals, but there’s strong speculation that it’s Elliot. Hopefully someday we’ll have a definitive answer!
  • Here’s another recording of “I Don’t Want To” with Elliot on lead vocals. I think there is only one other published performance of this one, captured during the March 21, 1977, show when they opened for Bob Seger. Man, I love this song! I still need to get a lyrics post done for this — SO funny! Hey wait… there’s that high voice in the back again, but it sounds like Ben? Hmmm, the falsetto mystery continues…
  • By the end of the set the crowd is fully involved; you can hear them screaming and cheering as the band launches into “Just What I Needed” as their last song of the set. Hard to tell if it’s an encore but I would guess it is. Ben still hasn’t got those lyrics down all the way (LOL) but his adlibs are undeniably yummy. Elliot’s guitar melody during the chorus, which is rather hidden in the studio version, is front and center in this recording, and it freaking ROCKS.
  • “Thank you very much, we’ll see you in the neighborhood. Bye bye!” — Ben ❤

Whew! What an electrifying ride!

I wonder what they did while The Good Rats were playing? Probably changed their clothes, had some drinks and a few smokes, maybe put on a hat? Maybe they held court in dark corners and chatted up the girls.

This is a little bit of a detour, but if you’re a visual person like me you might get a kick out of it. I recently isolated a portion from an old Boston television program that showed footage of the inside of The Rat. If you have a few extra minutes, click on this video for a peek at what the venue probably looked like when The Cars were playing there.

Okay, let’s move on to their second performance that night:

  • 00:00 Bye Bye Love (Ric Ocasek on vocals)
  • 04:20 You Can Have ‘Em (aka Sleepy Wasted Afternoon or Blue Moon Saloon)
  • 07:21 Ta Ta Wayo Wayo
  • 10:08 Jezebel*
  • 15:48 Take What You Want
  • 21:41 My Best Friend’s Girl
  • 26:06 Something Else (Elliot Easton on vocals; Eddie Cochran cover)
  • 28:50 Just What I Needed
  • 32:35 Cool Fool (encore)

Let’s jump right into it:

  • The guys start off with a sizzler! (Mmm, Ben on the harmonies during “Bye Bye Love.”) Ric seems to loosen up a bit vocally on this performance so it’s not too unpleasant to have him taking the lead. Greg is killing it on keys, too.
  • I know I don’t comment about him much, but man, David’s playing really catches me in “You Can Have ‘Em.” He’s always so steady and solid back there, and I certainly can’t escape his perfect fills and flourishes here. Dude is on fire!
  • This set offers another tasty — and previously unpublished — surprise: “Jezebel!” I’ve loved this tune since I first heard Cap’n Swing’s demo of it, but I did not know that Ric had held onto it to include in The Cars’ repertoire. I definitely like the CS version better, although Ben’s vocals are luscious, no doubt about it. This song is great, too, because it is one of the few Cars songs that gives Elliot room to really stretch out and shine.
  • Elliot puts in another blistering performance on the mic with “Something Else.” That cover is so perfectly suited for him, and Greg’s scrumptious saxophone adds even more heat to it.
  • They attempt to close out the show with “Just What I Needed,” but the audience is wild for an encore. I particularly relate to the shrieking girls, who you know just want to see more of Ben. Haha! They return and launch into “Cool Fool” with swagger and energy. The crowd loves it.

And then it’s over. Another half an hour of raw talent from a band on the verge of changing the face of music. How fortunate we are to get to listen to the past!

I’ve given you a lot to unpack so I’ll leave you to it. Let me know what other bits and pieces stand out to you from these two terrific performances. Have fun!

*previously unpublished

Cover image photo credit: Larry Bouchie


Please remember that these live audios are not to be bought or sold!

Be sure to subscribe to my YouTube channel and tap on the little bell to get a notification when I upload something new. Also, I’ve started keeping a playlist of the live shows in chronological order. You can check it out here:

4 thoughts on “We caught another Rat!

  1. As usual, thank you Donna, these ‘Rat’ recordings are very interesting, and more so in juxtaposition to what I have been revisiting lately – mainly YouTube videos of Benjamin singing (oh, he is so specularly beautiful and talented, totally mesmerising, no need really to repeat this nor to tell you) and becoming even more aware of what a great band The Cars were, always so tight, marvellous musicians, but I only ever watch the Ben performances. Have also watched two ‘reviews/explanations, step by step’ of ‘Just what I Needed”, one really excellent, which refers to the 1978 Midnight Special performance, the other is good, but while appreciating, congratulating Ben’s vocals, in effect called him a clone of Ric – that drove me crazy!!! Mad, I know, but Ben does kind of make one lose one’s mind!!!
    But depressingly, I have to go dark – I cannot overcome the tragedy of his early death, and that during his life, this good, brilliant man never fully received the acknowledgement of his specular talent.
    However, the birth of his adored son was probably the most joyous thing, and then the camaraderie and building success with his band of brothers, Big People. And from what I can figure, there were five important, wonderful women in his life.

    Now I apologise for my rave.

    Liked by 1 person

    1. No need to apologize — I completely understand the path you’re taking! Ben’s life and being were so magnetic, so moving, that it seems impossible to me NOT to go deep into celebrating who he was and the tragedy of all that’s lost. I’m just so grateful for every puzzle piece that comes to the surface so we can continue to know him better. ❤

      Liked by 1 person

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