I don’t mind not knowing what I’m headed for
You can take me to the skies
It’s like being lost in heaven when I’m lost in your eyes.
— Debbie Gibson, “Lost In Your Eyes”
I don’t mind not knowing what I’m headed for
You can take me to the skies
It’s like being lost in heaven when I’m lost in your eyes.
— Debbie Gibson, “Lost In Your Eyes”
“We were just beginning to explore new ideas as far as writing together, and unfortunately we never had the opportunity, because within the year Ben was diagnosed with pancreatic cancer. We lost him October of 2000… What a talent. As Liberty always said, he’s the rock star of the band, but he was natural. He didn’t try; he didn’t have to try. He had a voice that was just unbelievable, and he’d just step up to a microphone and just have this glow about him, you know what I’m saying? It was just magical.” — Jeff Carlisi, guitarist for 38 Special and Ben’s Big People bandmate; interview with Craig Garber and Everyone Loves Guitar, November 26, 2020 (at about 12:47)
Hey friends, happy Valentine’s Day! Sweeter than chocolate, prettier than flowers… I’m giving you a yummy handful of holiday hearts in the form of a new video!
I’ve uploaded Ben’s performance at the Eureka Festival in Tarentum, Pennsylvania, on July 11, 1998. I’m still digging up background information on the show, but you don’t need my scribblings to be able to enjoy this rare footage. Have at it! ❤
P.S. I’ve also separated out and uploaded the backstage bits so those who are freaky-obsessed like me can more easily watch and re-watch it and analyze every.single.bit of it. Dig in!
How his relationship with Diane influenced his songwriting for The Lace: “We share a large amount of romance in this life, and you can’t help but put that into music. How can you be miserable? … It’s good for now and I hope it’s good later. There’s the cynical part — you have to maintain some portion of realism.” — “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
“Coming Up You” by The Cars
How could they leave you standing
Holding on to the air?
With never a hope of landing
Didn’t they know you cared?
And you’re finding out it’s never quite like it seems
You’re finding out it’s never quite like it dreams
Didn’t you get connected
When things were still upside down?
Feeling somewhat neglected
Turning the tide around
You’re finding out it’s never quite like it seems
You’re finding out it’s never quite like it dreams
It keeps coming up you again
Well, you’re never too hard to find
It keeps coming up you again
Taking up all your time
It keeps coming up you, coming up you again
It keeps coming up you, coming up you again
However you want to take it
With streamers of violets
If only you could forsake it
It stifles your etiquette
And you’re finding out it’s never quite like it seems
Well, you’re finding out it’s never quite like it dreams
It keeps coming up you again
You’re never too hard to find
It keeps coming up you again
They’re taking up all your time
It keeps coming up you, coming up you again
It keeps coming up you, coming up you again
It keeps coming up you again
Coming up you, coming up you again
It keeps coming up you again
Coming up you, coming up you again
It’s coming up you
On October 26, 1978, The Cars opened for Cheap Trick at the Selland Arena in Fresno, California. From the looks of this newspaper article in the Fresno Bee on October 20, it was a highly anticipated appearance.
What a treat to know that we can still experience that show!
First, the video. You’ve probably seen this before. Sometime at the end of 2018 (I think Octoberish?) this partial footage was shared on YouTube by Fresno Media Restoration (FMR). By the end of 2020 it had disappeared, but luckily, fan Gwyneth Jeffer had the foresight to save it before it was gone. She passed it on to me a while ago to upload it to my YouTube channel and I’m just now getting around to it — yay!
FMR had published the footage in two parts, but I’ve taken the liberty to combine them here in the order of the set. It’s just over 20 minutes long all together, which is about half of the full show. The video shows, to varying degrees, seven of the ten songs of the night. Here’s what they’ve got:
Take a look:
The guys are so tiny and the lighting is a struggle, and watching it makes me feel like I couldn’t afford a ticket so I had to sneak peeks through a missing board in the fence. Haha! Any view of them live is so great, though. We can find lots of things to gush about!
Let’s just focus on Ben here for another minute. He drives me crazy with his little head tosses, those badass rock star poses, and all that 1978 pout. He’s such a natural up there, addressing every corner of the audience, bold and upfront when he chooses to be. He sounds freaking amazing, too. And while Elliot’s energy is obvious in the way he jams his way through the songs, Ben simply exudes it, just standing there. It’s mesmerizing. I think my very favorite little part is at 20:30, when he pulls a stork pose at the end of JWIN. Dude’s on FIRE.
I’ve been wondering why the footage is interrupted by picture fills and dropouts. At first I thought maybe large portions of the original tape were damaged and that’s the best FMR could do to make it whole. Definitely possible, but now I’ve come up with a different little theory.
Friend and fan Jon Mortas mentioned on Facebook that the video was shot with a super 8 camera, and I figure this may account for the frequent intermissions of still photos with the live action. I am NO camera techie, but from what I understand from my cursory research, super 8 film spools could only hold 3 to 5 minutes of footage at a time, so the camera operator would have to stop filming, swap out the cartridge, and then resume recording, accounting for some loss of live footage. There’s a good chance that that is the case here, and that FMR added in still photos (or screenshots) to fill in the gaps so the audio track could continue uninterrupted. This is all just my speculation, of course.
Happily, the rest of the show is not lost to us — at least, not to our ears. I’ve uploaded the full audio recording to my channel for our listening pleasure. Here’s the complete set list:
It’s so great how clear Elliot’s guitar comes through. I think that’s actually my favorite part. And I love the little bits of chatter, but I can’t always tell who says what. I mean, I’m pretty positive that it’s Ben that says ‘thank you’ at 21:14, but does he also say ‘Fresno?’ It sounds weird. Haha! Or at the end, who is encouraging the crowd to “wear a badge for the future?” Is that Ric??
The best is when they come out for the encore and Ben says, “Thank you down here, thank you up there!” (around 38:15). Oh, one more… I can’t make out what Ben’s saying at 33:55; sounds like the recording got clipped a little. Dang it! Oh well. In spite of that and a few other minor flaws, this is an outstanding performance! I hope that all who took the Fresno Bee’s advice would agree. ❤
How about you? What is your favorite video moment? How about the audio? Let me know in the comments below, or via YouTube or Facebook. Enjoy!