So we know the story about Roy Thomas Baker driving out to see The Cars play in a snowstorm at the end of 1977, and everyone shaking hands on going to England with him to produce the first album. Well, that wasn’t the first time The Great Snowflake proved fortuitous for the band. Mother Nature gave our boys a little gift at the beginning of that year when they were just starting out.
In March of 1977, Bob Seger was riding high on the huge success of his recently released breakthrough album, Night Moves. Though it was his ninth studio album, it was the first one to catapult him into nationwide success and his first to go platinum. He had booked a show at the Music Hall in Boston for Friday, March 18, with Derringer as his opening act. [Nerd alert: Seger had not headlined in Boston before. Another first for him!]
Friday arrived and Derringer opened the show as planned, but Bob got stuck. Heavy snowfall prevented his plane from landing and he was forced to fly back to New York. Apparently Derringer had finished their set before the postponement announcement came, and the fans were sent home.
The concert was rescheduled for Monday, March 21, but Derringer was not able to play that date for some reason. I didn’t do deep research on the ‘why’ behind that because what matters is that the opener slot was left vacant. Even up to the day of the show, the replacement act had not been announced: the newspaper ad stated, “It is expected that a local band will open tonight.”
The Cars were still fairly new at that time — in terms of the combination of members, anyway. Greg had joined the band sometime in January as the fifth and final Car part (groan!), and their first live show all together was at The Rat on February 7. In Joe Milliken’s book, Let’s Go! Benjamin Orr and The Cars, we learned that band manager Fred Lewis convinced music promoter Don Law to let The Cars slip onto the bill for that Seger show, though they only had a handful of gigs in the bag.
Obviously, this was a terrific stroke of luck for The Cars. Not only did it give them a chance to reach a greater audience, but it also put them on the radar of the bigger wigs in the music industry. Yay for snowstorms!
So let’s get to the actual recording. I wish it was video footage! Still, I am so grateful for this auditory treat. The person who captured the concert on tape showed up just a bit late, so we miss a smidge the first song. The Cars’ set lasted just under 30 minutes, and included:
- “Bye Bye Love” with Ric on vocals.
- “I Don’t Want To,” sung by Elliot.
- “Leave or Stay”
- “You Can Have ‘Em,” also known as “Sleepy Wasted Afternoon.” [Sweet Ben jumping the starting gun! ❤ ]
- “Don’t Cha Stop” (called “Don’t You Stop”), with a Greg synth riff in place of EE’s later solo and some slippery vocal timing on the chorus.
- “Come Back Down”
- “Strawberry Moonlight”
I couldn’t find a written review of The Cars’ performance (I guess Bob Seger was terrific!), but the crowd sounds appreciative of the band in the audio file. I also don’t know the number of people actually in the audience, but I think the seating capacity of the Music Hall was around 3,500, which was quite a bit more than The Rat held. Haha!
A few notes:
- It’s cool — and a little strange! — to experience these early incarnations of “Bye Bye Love” and “Don’t Cha Stop.”
- We definitely hear a little more addressing of the crowd than Ric usually participated in during a live show.
- I love the little bits of banter that Ben sneaks in, like when he mentions the ‘strange people up there in the balcony’ around 12:25.
- And is that Greg that says, “Good Lord! Look at that!” right before Ben’s comment?
- And speaking of Greg, listen for his badass saxophone work!
- Also, don’t miss Ben’s introduction to “Come Back Down” at about 16:12.
Oh, and about “I Don’t Want To”… I think this is an original Cars’ song because of the way Ric introduced it, even though I’ve never heard of it referred to anywhere else in The Cars’ discography. I wonder who wrote it? Probably Ric, I know, but it seems like something Elliot could have penned. I’ll have to do a lyrics post for it, too, because this song is hilarious. And does anyone else feel their heart rate spike when Ben sings, “bay-be bay-be bay-be, bay-bay!” or is it just me? I think that’s my favorite part of the whole show.
Okay, your turn! Click below to listen to one of the earliest published recordings of The Cars. Enjoy!