Bootleg book?

The Cars by Vincent Price

 

The Cars

Written by Vincent Price (not the actor)

Published by Blurb, August 28, 2019

ISBN# 978-0-46-425861-2

 

 

 

 


My quick opinion:

Clearly self-published, possibly plagiarised, and stuffed with low-resolution images likely downloaded from the internet, this book offers nothing new to Cars history. Save your $20.

My long story:

On Monday night I heard the surprising news that there was a new book about The Cars that was just published. C’mon, you know me… I had to jump right on that train! I found the book online and ordered it up via Amazon Prime that same night. While I waited for its arrival I poked around to see what I could discover about this unexpected addition to The Cars’ legacy.

My cursory research into the publication and the author turned up few details. The book appears to be part of a larger series of celebrity biographies churned out through Blurb, a self-publishing website where a product like this one would cost either $6 or $14 (approximately, and depending on if the author chose economy or standard color printing). Vincent Price has published at least 25 of these readers in the last four months.

So today, Friday, mine came.

I can’t beat around the bush. I was definitely disappointed after my first flip-through, but only to a certain extent: I knew that weighing in at only sixty-eight pages, I wasn’t going to get a long, detailed history of the band. I was not wrong. But upon closer inspection, there were other immediate and stronger impressions that left me feeling more angry than anything else.

Let me give you the basics:

  1. The book is paperback, measures at 6″ x 9″ and, as I mentioned, is sixty-eight pages long.
  2. There are thirty-five pages containing generously-spaced text, and thirty-three pages printed with a total of fifty-five images, mostly in color with some black and white.
  3. The cover of the book includes no title, author, or publishing house information. There is no writing on the front, back, or spine, other than the band’s original logo and a barcode.
  4. There is no title page, copyright page, or any kind of heading, subheading, or introduction inside the book.
  5. The author’s name does not appear anywhere in or on this book.
  6. There is no publisher information in or on the book; not the publisher’s name or location, nor the date of publication.
  7. There are no acknowledgements or photo credits anywhere in the book.
  8. There is no bibliography.

Did I get some “lemon” copy of the book? Did Amazon or Blurb print it wrong? Maybe… but I double-checked with my friend, Craig, and his looks the same as mine. So we’ll keep going…

The text starts out with about two dozen paragraphs giving a brief (and slightly inaccurate) history of The Cars. This appears to be a narrative based almost entirely on an article called “The Cars” by A.J. Wachtel (for Music Museum of New England). I believe Price attempted to restate Wachtel’s research in order to make it his own, and I will just gently say that it seems like he did not have the benefit of an editor OR a proofreader, and he was very much in need of both.

Now here’s where I might not be so gentle. There are some very obvious and unhappy flaws in this book.

The rest of the text appears to be a cut-and-paste job of three articles that are currently posted online. In the order that they appear in the book, they are:

  1. “The Cars’ ‘Drive’ to the Rock Hall” by Jim Sullivan, April 12, 2018, bestclassicbands.com
  2. “Second Gear: After 24 Years, The Cars Return” with Ilana Kaplan, April 20, 2011, interviewmagazine.com
  3. “The Cars Take on Their Critics” by Mikal Gilmore, October 30, 1980, rollingstone.com

Incredibly, there is no introduction to these articles, no proper credit given, no acknowledgement of the other writers, no reference to the source material at all. Instead, the text is very slightly altered to change the tense of the interviews. For example, in the piece by Interview Magazine, Ilana Kaplan posed questions directly to Greg Hawkes, like, “Did you ever think there would be a reunion like this after so long?” Price edited the text to read, “Had Greg ever thought there’d have been a reunion like this after so long?”

And let me be clear, these are not excerpts. In all three cases, the entire interview is included with those amateur edits. Even the most inattentive high school teacher would identify the rampant plagiarism here.

At a minimum, reproducing someone else’s work in its entirety, without giving credit to the original writer and/or publication, and especially without doing a single thing to make it clear that it is not the author’s own work, is unethical, disrespectful, and rude.

Furthermore, it is very likely grounds for a lawsuit. As tempted as I am (and believe me, I am!), I won’t take the time here to detail the ins and outs of Fair Use, but I feel very strongly that this book is a monumental violation of copyright laws. (If you’re interested in looking into this issue yourself, start with this helpful and layman-friendly article from Nolo.)

Is it possible Price had permission to reproduce these texts? Yes, of course. But I am suspicious because it doesn’t seem reasonable to me that there would be zero acknowledgement of the original source. If I am wrong, I will happily and humbly apologize.

The second half of the book is chock full of images from well-known photographers like Ebet Roberts, Lynn Goldsmith, Philippe Carly, Jeff Albertson, Peter Simon, and Marco Glaviano. Unfortunately, all of the images are available on the internet and have been circulating for years. Some are obvious screenshots from video, some bear watermarks, and some are duplicated on other pages. Judging by the substandard quality of the majority of them, my guess is that they are low-res copies downloaded from various websites.

The photo section lacks in another respect. The majority of the pictures feature the full band; the only ‘solo’ shots are of Ric and Ben. Since the book was published prior to Ric’s recent passing I can’t justify the singling out of those two as any kind of memorial tribute, so I find it annoying that equal treatment was not given to all five members. That, of course, is just my personal opinion.

More importantly, here we are again with copyright concerns. Not a single photo is credited, there are no descriptions of dates or locations; heck, they are not even in chronological order. Again, I can’t help but question if the author had the proper permissions to reproduce these works.

I can’t recommend this book at all, based on the sketchy text, the poor quality of the photos, and the fact that there is no new content offered. But here’s the truth of the matter: this book makes me angry because I believe that this author may be illegally profiting from the hard work of those that came before him. This is similar to the frustration I feel at bootleggers who take Ben’s unreleased solo tracks and sell them on CD, or profiteers who jack the official Cars logo and produce merch that they resell on ebay for exorbitant prices. It’s selfish, unscrupulous, and just plain wrong. I strongly urge you NOT to support such exploitation.

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Episode 43: “Let’s Go!” with Joe, Part 1

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An early copy of the Let’s Go! manuscript. Photo courtesy of spj.

After eleven long years, the wait is finally over! Let’s Go! Benjamin Orr and The Cars, the first-ever biography of Ben — or any of the Cars’ members, for that matter — was published on November 11, 2018. Now that the fans have the joy of holding the finished product in their hands, your Night Thoughts co-hosts are eager to take a look inside!

Dave and Donna kick off this first installment in the two-part series by zeroing in on the first seven chapters of the book, discussing Ben’s childhood, his early band experiences and teen celebrity, his time in the military, meeting Ric, the Milkwood mess, the formation of Cap’n Swing, and the coming together of the five men that would eventually join forces to become The Cars.

The two share the parts that made them laugh, that connected some dots, and that were just downright COOL. Having had the privilege of working intimately with author Joe Milliken over the last year as he prepared the book to cross the finish line, Donna is now able to give insight into some of the ‘behind the scenes’ aspects of the publishing process, as well.

**SPOILER ALERT This episode gets pretty specific at times, revealing details and quotes from the book. If you haven’t read it yet, it will either tick you off or tantalize you further… only you can decide how you might react. Pod wisely, people!**

Next up is the Midnight Scroll, which includes some great feedback from our friends Grace Geek and B.B. on the Door to Door dissection episode. There’s also a letter from our old pal Rico, who, inspired by Joe’s book, has decided to write his own story of how he came to cross paths with NiGHT THOUGHTS, and sends us all the details in his email.

The podcast then moves into the first half of a recorded interview between Donna and the Let’s Go! author himself, Joe Milliken. (Unfortunately, scheduling conflicts prevented Dave from being able to join the chat.) The two spend some time talking about the ins and outs of Joe’s writing process and how critical the “Cleveland Connection” was to his success. From there they go deeper into Benjamin’s life, and Joe is generous with details that go beyond the book. Their candid conversation covers topics like:

  1. Ben’s relationship with his parents and the Mayers
  2. the strength of Ben’s independent nature
  3. getting the significant women in Ben’s life involved in the book
  4. Diane’s statements about Ben’s moods
  5. Ben’s interest in guns

The second half of Donna’s interview with Joe will be included in Episode 44, when Dave and Donna finish up their in-depth review of this terrific book — coming very soon! Until then…

Find us on Facebook, follow us on Twitter @TheCarsPodcast  (individually we’re @night_spots  and  @sweetpurplejune ), and subscribe to our audio outlets! You can listen by clicking the Youtube link below, or visit us on iTunes or Soundcloud. Wherever you connect, be sure to subscribe, share and comment. You can also email us at nightthoughtspodcast@gmail.com. Let us know your thoughts — we’d love to hear from you!

Okay, are you ready? Let’s GO!

Joe Milliken: Signature Move

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Joe Milliken, 2017.

March 24, 2018. Sitting at the desk he has labored at for more than a decade, surrounded by his wife and young daughter, music journalist Joe Milliken applies his signature to the publishing contract with a flourish. This day has been a long time coming, and marks the end of a fulfilling, though sometimes grueling, road.

It’s official. The biography of Benjamin Orr is going to be published.

Still fresh from the experience, Joe said,  “Saying it was simply a ‘feeling of accomplishment’ seems like an understatement. But yes, when I signed that publishing agreement and realized that a publisher believed in my project, I felt a sense of accomplishment, pride, relief, and personal growth.”

Many of you are familiar with this project… some of you have been waiting for what seems like ages. And while you may have wondered if Joe Milliken’s biography of Benjamin Orr would ever reach the shelves, no one has stressed and speculated over this labor of love more than the author himself.

“I started this back in 2007. There were a few gaps along the way where I had to set the project aside for stretches because of life circumstances, but essentially, I have worked on this book in my spare time for eleven years… Yes, it has been a long process,” Joe sighed. (In addition to freelance writing, Joe works overnight shifts at the Brattleboro Retreat, a locked-down psychiatric hospital in Vermont.)

So let me assure you right here at the beginning: Benjamin’s story IS going to be told! As of this date, Joe is scheduled to submit his completed manuscript, artwork, and photographs to Rowman & Littlefield Publishers by May 1st, and the book is tentatively slated to be on shelves by the beginning of November, 2018. Such great news!

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Door to Door photo shoot, 1987. Photo by Marco Glaviano, used with permission.

While Joe considers this endeavor to be his ‘life’s work,’ it wasn’t so much the passion for writing that set him on this path… it was rock and roll.

An artist at heart, Joe earned an associate’s degree in visual arts, but discovered along the way that writing might actually be the way to go to if he wanted to use his creativity to earn a buck. And while he spent time as a local sports writer, it was really music he had a passion for. From that day in the 7th grade when his buddy, Ed Faxon, brought a 45-single of Aerosmith’s “Come Together” to school and played it in music class, Joe was hooked. “Aerosmith hit me like a sledgehammer. After that, it was ALL rock music, ALL the time!”

[Incidentally, it was this same Ed who nicknamed Joe “the Jock of Rock” back in the day, a moniker that still identifies Joe in the Facebook world – find and like his music page here.]

“Music is easily my favorite hobby, but I could not carry a tune if it had a handle on it! Therefore, since I couldn’t become a musician, I’d write about it instead. Writing allowed me to kill two birds with one stone; it became both my way of getting involved in music, and my artistic/creative outlet.”

After ten years or so of rock journalism, and being published in newspapers and national magazines like Goldmine and The Alternate Root, Joe was eager for more. He had been kicking around the idea of writing a book for a while, but he admits that Ben and The Cars would not have been his first choice. “However, once I started investigating Ben’s life, I realized that there was a whole story about his early life in Cleveland where he grew up that I had no idea about, and neither did many other Cars’ fans.”

The suggestion actually originated from a member of a Cars fan group, who found Joe’s profile online and believed he could be a good fit for sharing Benjamin’s story: Joe himself hailed from Boston, resided in Vermont (where Ben also lived toward the end of his life), and was a rock-loving music journalist who listed The Cars as an influence. Joe spent about a month exploring and contemplating before he finally committed to the project. Once he was in, he was ALL in, heart and soul.

“My goal was to paint the clearest picture possible of Ben’s entire life, not just his life as a member of The Cars. This is a biography about a hard working musician who had one goal: to be in a successful national band. It’s not meant to be a ‘Cars book,’ although, of course the band is prominent in the narrative.”

It’s not your  stereotypical ‘sex, drugs, and rock and roll’ rock biography, either. Joe confirms, “This is not a backstage exposé, but rather the story of an extremely gifted, hard-working musician who knew exactly what he wanted to do in life from a very early age… and he achieved it.”

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A bit of Joe’s research. Photo courtesy of Joe Milliken.

Because Joe could not talk to Benjamin himself he knew he would have to dive into an intensive interview process. For the first year, he did a lot of research, mapping out Benjamin’s life from his birth to his death, and then he created a basic story structure. From there, he started conducting interviews with anyone and everyone he could find who knew Ben, filling in the gaps in his draft with their quotes and stories as he went along.

Joe interviewed well over 100 people for this book and overall, it was a great experience — but it was not always easy; not by a long shot. “The one big obstacle I faced was that some people who knew him were a little leery at first simply because Ben was a very private man, and of course, they didn’t know me from a hole in the wall! In some cases, it took me a long time to gain people’s trust before they would open up to me… understandably so.” For a few of Ben’s contacts, it took years.

Even once lines of communication were firmly established, further assurances were sometimes necessary. “There were times I needed to show an interviewee the excerpt from the manuscript in which they participated in order to get their final approval. It certainly shows just how much people really cared about how Ben is portrayed in this book.”

In spite of its challenges, the interview process was obviously essential, and it gave Joe such a wide lens for getting to know Benjamin. Additionally, some long-held misconceptions were set straight and new pockets of information uncovered. Especially helpful were friends and bandmates from Ben’s early years (Joe fondly calls them his “Cleveland Connection”) who gave insight into the activities, motivations, and personality of the young man who would grow up to make such an indelible mark on the music world.

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Benjamin Orzechowski, age 16. Ben Orr Collection, used with permission.

And Joe would discover that a common thread ran through Ben’s relationships, from beginning to end.

“So many interviewees talked about his kindness and generosity towards his family and friends. Ben was hard to get to know, but once you did and he trusted you? You were a friend for life and he would do anything within his power for you.”

And though he never put himself in the spotlight, Ben was a man of great love and loyalty. “What moved me the most is his generosity. He did so many things for people that no one ever knew about… not even his bandmates. He didn’t talk or brag about these gestures, and many of them were not small things, believe me. Also, I love how he never forgot about his friends growing up. Like I said, if you were his friend, you were his friend for life.”

Joe didn’t get everyone he wanted in the book, but the majority of people he approached were kind and helpful, and their love for Benjamin was palpable. He did talk to a large variety of people, including family members, two of the four members of The Cars, musicians, label executives and music industry personnel, studio engineers, rock photographers and personal friends.

In addition to sharing their stories, many people also gave Joe the gift of photographs. “The photos are a big part of this project. I have collected over 500 of them spanning Ben’s entire life, many of which are from folks’ personal collections and that have never been seen or published. Choosing the final photos for the book might have been the most daunting task of all!”

[Now if your first thought after reading that was, “Holy wow! Five hundred??? I wanna see them ALL!” I’ve got some super good news: Joe mentioned that he is considering following the biography with a special edition “photo book” to share many more of the photos he’s collected with the hardcore fans. Fingers (and toes) crossed!]

While Joe considers the interview process one of the most challenging obstacles of this project, it wasn’t the only aspect that kept him on his toes. “I had to learn to take everything I heard with a grain of salt, for you can’t believe everything you are told. Luckily, as time went on, I got better at filtering out the bullshit and ‘making it real.’”

Benjamin’s absence is felt keenly by Joe. In fact, the list of interview questions he would have loved to discuss with Ben is long. “First, I would just like to talk to Ben about his music tastes… his favorite bands in different stages of his life and why. Who his favorite singers were, his favorite albums, what musicians influenced him the most…. things like that. I would also ask him what his earliest memory of performing was, and at what moment did he realize this band he was now in was going to be world famous. I’d ask what his favorite Cars’ album is and what was his most memorable moment in The Cars. On a more personal level, I would ask him who the love of his life really was.”

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Photo courtesy of Rhino Records

And if Joe could have spent time with Benjamin during his life? “I want to hang out with Ben from June 1979 to June 1980,” Joe confided. “The Cars were riding the success of their debut album (my second favorite) and about to release their second album, Candy-O, which is my favorite Cars album. The Cars were the hottest band in America at that time and Ben was finally a true rock star and enjoying the fruits of all his labor… and the girls were everywhere! (laughing)”

While Joe can never go back in time, he has gained the next best thing. “Knowing Ben inside and out like I do now… I am able to appreciate him as a person and not just as a rock star in a band. Even though I never met him, I kind of feel like I did.”

Joe is pretty tight-lipped when it comes to revealing too many details about the contents of the book itself (rats!) so we’ll have to wait for the fall, when I hope to get my hands on an advance copy and write a review to publish here (stay tuned!).  In the meantime, what is next on the horizon for Joe Milliken?

His own music and arts website, Standing Room Only, keeps him quite busy, and he still does freelance writing (in fact, he’ll be covering April’s Rock and Roll Hall of Fame ceremony in Benjamin’s hometown of Cleveland for Goldmine magazine). Eventually he’d like to write another music-related book, but he knows that by signing the publishing agreement with Rowman he’s kicking off the marketing and promotion phase of this project, and that will take much of his time and energy in the foreseeable future.

Still, he’ll be riding the emotional high of this writing milestone for some time to come. “I’ve had so much fun and am so honored to tell Mr. Orr’s life story, words just can’t describe it!”

In order to make sure you don’t miss the latest updates, author events, discount promotions, and other book-related Benjamin tidbits, ‘like’ Joe Milliken’s Facebook  page dedicated to the book and/or follow the project on Twitter (@benorrbook). You can also email Joe directly at BenOrrBook@gmail.com to receive email communications  (and it can’t hurt to give him a shout out in favor of that future photo book!).

Episode 23: The Cars Essential Library

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Graphic by @sweetpurplejune

Our 23rd episode, recorded on the 23rd of February… it’s time to get nerdy!

Dave and Donna take a look at some of the written material floating around related to The Cars. This is by no means an exhaustive list, but the biggies are covered, with mentions of tour books, sheet music, liner notes, and appearances in compilations.

They also discuss the unique and rare offerings of Ric Ocasek, as well as the probability of Joe Milliken’s biography about Benjamin coming out in 2018 (click here to message Joe and get on his mailing list).

During the discussion Dave shares a recent email conversation he had with Luis Aira, director of the elusive film Chapter X (among his many other amazing accomplishments), and reveals some inside information Mr. Aira dropped about other never-released projects he worked on with Ric. (Read Standing Room Only‘s article about Luis Aira and his involvement with The Cars here.) Donna plots a chance ‘run in’ with Ric in order to get her hands on all of the hidden stuff that you just KNOW is in that vault of his.

The Midnight Scroll is saved from further colonoscopy PSAs by the emails of three of our favorite listeners: Harold, Kurt, and L. Glenn Douché (pronounced “doo-shay” — it’s French). Dave still manages to get his spam in there, but Harold saves the segment by sparking a quick discussion about Ric’s solo CDs, and Kurt gets the Cleveland vibes going with some great ideas for honoring the band during the RRHOF induction weekend. And uh, L. Glenn… keep us posted on how that Go Fund Me campaign works out for you.

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Dave and Donna close out the episode by picking the winner of the ‘Benjamin Orr swag’ giveaway from episode 22… Congratulations to Beta Sanchez for sending in the right answer! The generous Kurt Gaber will be in touch with you to get your prize to you. Enjoy, Beta, and thanks for listening!

Click below to hear Episode 23, and be sure to subscribe, comment and share. Follow Dave (@night_spots) and Donna (@sweetpurplejune) on Twitter, too! Oh, and don’t forget to send your questions for the ‘Midnight Scroll’ to nightthoughtspodcast@gmail.com. Also, join The Cars NiGHT THOUGHTS Podcast group for all of the little extra uploads you’ll hear about in the show.