On recording The Lace in England: “…no sun, constant wind, drizzle and clouds — just misery. The highlight of the day was, like, dinner.” — “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
Tag: The Boston Globe
Quoting Benjamin
How his relationship with Diane influenced his songwriting for The Lace: “We share a large amount of romance in this life, and you can’t help but put that into music. How can you be miserable? … It’s good for now and I hope it’s good later. There’s the cynical part — you have to maintain some portion of realism.” — “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
Quoting Benjamin
On the absence of touring: “I never get to play enough anymore. It’s pretty bad actually, really sad. I miss it a whole lot. It’s a chore to get on the road — a few of the guys don’t want to do it — but it’s business, and if you can make a living out of it, you’ve got to do it.” — “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
Cinders and ashes at the Metro, 1982
Between the tight instrumentation, powerful vocals, and sizzling energy, this short set is a real barn-burner! Today marks the 39th anniversary of the night The Cars showed up as surprise guests at the Metro in Boston, Massachusetts, on December 7, 1982, so let’s take a closer look.
We’ll start with this one lone video:
Though I am optimistic that the band’s whole set was filmed (it had to have been, right???), this is currently the only available footage for us Cars fans. It remains on my list of concerts I hope will someday surface from someone’s basement VHS collection.
Along with this visual remnant, we have some (only 3!) photos that have circulated from that night. They were taken by Michael Grecco, and they.are.GORGEOUS. Feast your eyes!
The Cars at the Metro by Michael Grecco. December 7, 1982
Benjamin Orr at the Metro by Michael Grecco. December 7, 1982
Ric Ocasek at the Metro by Michael Grecco. December 7, 1982
NERD NOTES
This performance is generally pinned to a Toys for Tots charity gig, but I was going over my notes as I was getting ready to upload the audio of their full six-song set (link below) and I discovered that that might not be the case. Let me lay out what I’ve got for you.
Apparently there was a charity show scheduled to benefit a punk/new wave music magazine called New York Rocker. The publication was in financial straits and was trying to scratch up an infusion of cash. This clip from The Boston Globe on December 6, 1982, sets the stage:
The Boston Globe, December 6, 1982
The next we hear about it shows up here: a Boston Globe mention on December 10, 1982, where it’s revealed that The Cars were a surprise guest at the NY Rocker benefit.
The Boston Globe ~ December 10, 1982
One more blip of that benefit, confirming that the purpose was to financially support NY Rocker, appeared just a couple of days later:
Seems consistent to me. And judging by the publication covers, I could guess that that magazine would be something Ric in particular would be happy to support. In fact, it looks like The Cars themselves might have been included in at least one issue; I’ll have to see if I can track that down at some point.
As for the Toys for Tots benefit, that was a real thing, and The Cars were definitely involved… to a certain extent. They were co-sponsors of the annual Christmas party at the Metro, along with the venue and Warner Elektra Atlantic, where the only price of admission was the donation of a toy for needy children. Boston photographer Derek Szabo saved his 1982 invite and was so kind to share it with me. How cute is this?
1982 invitation front, courtesy of Derek Szabo. Shared with permission.
1982 invitation back, courtesy of Derek Szabo. Shared with permission.
The festivities included an hour-long open bar and live music, but it does not appear that The Cars were on the roster of performers. Check out this clipping from The Boston Globe, December 17, 1982:
The Boston Globe ~ December 17, 1982
Of course, it is entirely possible that The Cars did play at that party on December 22; I just haven’t been able to find anything to confirm it. If they did, I feel certain that it is different than the “Candy-O” performance footage we see above.
So let’s get back to that December 7 show. For the most part, the set list has a gritty punk vibe that seems perfectly suited to an audience of New York Rocker readers. Fortunately for us, an audience recording of the full six songs The Cars performed that night has been preserved. It’s not the greatest quality, but it’s a treasure nonetheless.
The band opens with “Out of Control,” a previously unpublished tune that would show up on Ric’s first solo album, Beatitude, apparently released at the end of the month. [A little pet peeve of mine here: another instance of Ric showcasing his solo work during a Cars show, an opportunity apparently not given to Ben or Elliot in later years. Grr!]
From there they rev things up with a raucous cover of Iggy Pop’s “Funtime,” and it sounds like all the guys are really enjoying themselves. And Elliot’s solo is blazing! EE continues to drive the show as they blast through “Take What You Want,” a concert staple that never made it to vinyl. Interestingly, I believe this gig is the last time they played it for an audience.
Now we get to “Candy-O” which, of course, sounds a bit muted compared to the more professional video capture. Still, it’s pretty great! If you recall in the footage, at the end of the song the guys are taking off their guitars and preparing to exit the stage after being on for less than 20 minutes. So now brace yourself: a member of the audience, who is apparently unsatisfied with the very short set, begins booing in protest. Booing! Loudly. And complaining that it’s a ripoff. I mean, I can understand the guy’s disappointment, but it still grates on my nerves to hear him booing my band. Ugh.
Anyway, thankfully, The Cars do return and treat the enthusiastic audience to two more energetic gems.
I love love love the dizzying version of “Let’s Go,” and again, Elliot is just on fire. The big finish comes with “You’re All I’ve Got Tonight” and please, I am begging you, do NOT miss Elliot’s sassy little guitar riff at 26:46. If an attitude can be summarized in four seconds of music, there it is right there. So freaking great! I swear, there had to be cinders and ashes floating to the ground as those guys took their leave. Holy wow.
Your turn to listen in! Be sure to share your thoughts below.
UPDATE December 11, 2021: A reader pointed out to me the similarity of Elliot’s “sassy little riff” at 26:46 to the “Wake Me Up” demo at 3:08. It blew my mind! Take a listen:
Quoting Benjamin
On his feelings about The Lace: “I did the absolute best I could possibly do under the circumstances. I’m happy with what I have, but it makes me personally cringe when I don’t hear exactly [what I wanted]. Probably no one else would notice except myself and a few other people. It won’t happen like that again. It took me much too long to do this project. I wasn’t thrilled about some of the things that went on [referring to recording in England]. I’m real glad it’s over.” — “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
Quoting Benjamin
With regard to his boat, the Blue Di, and writing songs on the water: “This is the best thing I’ve ever bought, bar none. It’s not too conspicuous. It’s big enough for one guy to operate and the chief pretty officer over here [referring to Diane]. She hates taking orders, but somebody’s gotta be captain of the boat… I enjoy my free time. I like doing this [boating]. I’d much rather do this, now that we’re writing…. We love the water. It’s really soothing. It seems to be good for us.” — excerpts from “The Rewards of Rock Stardom” by Jim Sullivan, The Boston Globe, November 1, 1986
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