We caught another Rat!

We caught another Rat!

Every time something new pops up in the Cars world I am ecstatic on two fronts: first, because another elusive piece of the band’s history has fallen into place, and second, because it bolsters my hope that there is even more yet to be revealed. And that’s on top of the thrill I always feel at just seeing or hearing my forever-favorite band. Anyway, you can imagine my elation when I returned from a recent trip to discover that a VERY cool friend had sent me some VERY cool files: new recordings of The Cars at The Rat!

Now you might remember that The Cars played The Rat for a four-night engagement spanning Thursday, April 28, through Sunday, May 1, 1977. A few months ago I uploaded an audio file from that weekend, though I wasn’t sure which of the dates it was recorded on. Well, with these two totally new shows, I’ve been told that they are specifically from April 30th, so they would be the Saturday night performances. As you’ll see below, each set offers us a previously unpublished gem, which makes these audios even more delightful.

In case you haven’t seen it before, on the right is an advertising flyer from that weekend. The Cars shared the bill with The Good Rats. I’m not sure who was the headliner; the way the ad is designed makes it look like The Cars were the big draw, but they were a fairly new band at the time (though the members themselves were not unknown). I think The Good Rats were still enjoying the regional success that followed their 1974 and 1976 albums, and they were coming up from New York, so they might have been a bigger deal? Oh, and each of The Cars’ sets was only about 1/2 an hour long, which seems more like a warm-up than a main event.

Okay, I got off track there, because I’m sure it doesn’t matter who was the headliner, but I was trying to imagine the order of the night. I’m going with The Cars, then The Good Rats, then repeat. There, I feel better now that I have that settled. Haha!

No more goofing off — let’s dive right in. Here’s the first set list, with the audio below:

  • 00:00 Leave Or Stay
  • 03:04 Cool Fool
  • 05:48 You Can’t Hold On Too Long
  • 08:54 Don’t Cha Stop
  • 12:25 My Best Friend’s Girl
  • 16:23 Gimme Little Sign (Brenton Woods cover)*
  • 19:40 I Don’t Want To (Elliot Easton on vocals)
  • 22:18 Strawberry Moonlight
  • 25:16 You’re All I’ve Got Tonight
  • 29:54 Just What I Needed

Some of my reactions to this set:

  • A lot of times when you go to shows, the crowd doesn’t seem to pay too much attention to the opener. The band might start, but people are still milling about, greeting friends, ordering drinks, and so on. I’m sure that was the case here, too, but the recording also picks up the sounds of cheers and whistling from the crowd at the beginning. I love it!
  • You have to know that I am thrilled that these recordings have come out of hiding — thrilled. But… there is one eensy weensy thing I wish I could change: I noticed that most of the transitions between songs have been edited out. That’s a little bit of a bummer because I feel like we can often glean several tasty bites of mood and personality from those breaks. Oh well! Not everyone’s as obsessed as we are. Better to have it with some edits than to not have it at all!
  • Let’s discuss the duo vocals on “You Can’t Hold On Too Long.” I have to admit it makes me wrinkle my nose a bit. Is it because I’m too in love with the album version? Or is it more that Ric’s voice clashes too much with Ben’s in this case? I mean, obviously there are many recordings where the two share the vocal duties successfully, but the disparity in their styles just doesn’t seem to blend well here.
  • I wish I could hear the what’s going on in the background after “You Can’t Hold On…” because I want to know what Ben is responding to when he says, “It’s not called that at all.” Sounds like he’s feeling squirrely!
  • I love Greg’s keyboard riff behind the chorus of “My Best Friend’s Girl” — it’s catchy! On the other hand, the absence of Elliot’s guitar solo is tragic. I’m glad that was eventually remedied; it totally changed the whole vibe of the song.
  • The big surprise in this set is the band’s cover of “Gimme Little Sign” by Brenton Wood (which I also carved out and posted separately). It’s been known in the Fanorama for a long time that they played this in their early days, but this was the first time I heard it. It’s great! Ric takes the lead vocals, but Ben’s voice is prominent in the chorus. Not sure who is doing the falsetto backing vocals, but there’s strong speculation that it’s Elliot. Hopefully someday we’ll have a definitive answer!
  • Here’s another recording of “I Don’t Want To” with Elliot on lead vocals. I think there is only one other published performance of this one, captured during the March 21, 1977, show when they opened for Bob Seger. Man, I love this song! I still need to get a lyrics post done for this — SO funny! Hey wait… there’s that high voice in the back again, but it sounds like Ben? Hmmm, the falsetto mystery continues…
  • By the end of the set the crowd is fully involved; you can hear them screaming and cheering as the band launches into “Just What I Needed” as their last song of the set. Hard to tell if it’s an encore but I would guess it is. Ben still hasn’t got those lyrics down all the way (LOL) but his adlibs are undeniably yummy. Elliot’s guitar melody during the chorus, which is rather hidden in the studio version, is front and center in this recording, and it freaking ROCKS.
  • “Thank you very much, we’ll see you in the neighborhood. Bye bye!” — Ben ❤

Whew! What an electrifying ride!

I wonder what they did while The Good Rats were playing? Probably changed their clothes, had some drinks and a few smokes, maybe put on a hat? Maybe they held court in dark corners and chatted up the girls.

This is a little bit of a detour, but if you’re a visual person like me you might get a kick out of it. I recently isolated a portion from an old Boston television program that showed footage of the inside of The Rat. If you have a few extra minutes, click on this video for a peek at what the venue probably looked like when The Cars were playing there.

Okay, let’s move on to their second performance that night:

  • 00:00 Bye Bye Love (Ric Ocasek on vocals)
  • 04:20 You Can Have ‘Em (aka Sleepy Wasted Afternoon or Blue Moon Saloon)
  • 07:21 Ta Ta Wayo Wayo
  • 10:08 Jezebel*
  • 15:48 Take What You Want
  • 21:41 My Best Friend’s Girl
  • 26:06 Something Else (Elliot Easton on vocals; Eddie Cochran cover)
  • 28:50 Just What I Needed
  • 32:35 Cool Fool (encore)

Let’s jump right into it:

  • The guys start off with a sizzler! (Mmm, Ben on the harmonies during “Bye Bye Love.”) Ric seems to loosen up a bit vocally on this performance so it’s not too unpleasant to have him taking the lead. Greg is killing it on keys, too.
  • I know I don’t comment about him much, but man, David’s playing really catches me in “You Can Have ‘Em.” He’s always so steady and solid back there, and I certainly can’t escape his perfect fills and flourishes here. Dude is on fire!
  • This set offers another tasty — and previously unpublished — surprise: “Jezebel!” I’ve loved this tune since I first heard Cap’n Swing’s demo of it, but I did not know that Ric had held onto it to include in The Cars’ repertoire. I definitely like the CS version better, although Ben’s vocals are luscious, no doubt about it. This song is great, too, because it is one of the few Cars songs that gives Elliot room to really stretch out and shine.
  • Elliot puts in another blistering performance on the mic with “Something Else.” That cover is so perfectly suited for him, and Greg’s scrumptious saxophone adds even more heat to it.
  • They attempt to close out the show with “Just What I Needed,” but the audience is wild for an encore. I particularly relate to the shrieking girls, who you know just want to see more of Ben. Haha! They return and launch into “Cool Fool” with swagger and energy. The crowd loves it.

And then it’s over. Another half an hour of raw talent from a band on the verge of changing the face of music. How fortunate we are to get to listen to the past!

I’ve given you a lot to unpack so I’ll leave you to it. Let me know what other bits and pieces stand out to you from these two terrific performances. Have fun!

*previously unpublished

Cover image photo credit: Larry Bouchie


Please remember that these live audios are not to be bought or sold!

Be sure to subscribe to my YouTube channel and tap on the little bell to get a notification when I upload something new. Also, I’ve started keeping a playlist of the live shows in chronological order. You can check it out here:

Let’s Make A Record: The Results!

Let’s Make A Record: The Results!

Back in April I launched a fun little challenge for fans to create their own ‘new’ Cars album using only songs that the band performed but did not release on one of their six studio albums. We had a total of fifteen official contributions (those that came in before the voting started). From there, I organized the entries and set up a poll so readers could vote for their favorite submissions in four categories:

  • Best Album Title
  • Best Track List
  • Best Cover Art
  • Most Likely to Become a Bootleg (overall favorite)

Before I announce the winners, I’d like to share a couple of last-minute entries that came in. Unfortunately, I didn’t receive them in time to include them in the voting, but we can still enjoy them. Check out these cool compilations below:

LATE ENTRY Ellen Flint

LATE ENTRY Rick

I do have a little treat for everyone who sent in a submission: this badass 3″ Cars album sticker designed, printed, and donated by our very own Kurt Gaber! How cool is that???

prize for entries

If I haven’t already contacted you about getting your sticker to you, please send me a note, either through the blog or on Messenger. I’ll get them out ASAP!

And now to announce the results and winners in each category:

1

Best Album Title WINNER: Entry #01: Abandoned Cars by Steven Manson

2

Best Track List WINNER: Entry #04: Detour by Katherine Fendley

3

Best Cover Art WINNER: Entry #01: Abandoned Cars by Steven Manson

4

Likely Bootleg/Overall Favorite WINNER: Entry #04: Detour by Katherine Fendley

Congratulations to our winners! Wow, Steven and Katherine’s albums really battled it out. An Honorable Mention goes to Entry #08: Impound Lot by Becky Broderick for sticking close to the lead in all categories. And guess what? I have special prizes for them, too! These cool Cars logo decals were also printed and donated by Kurt Gaber, and will be sent out to Steven, Katherine, and Becky with their participation stickers. Woot woot!

prize for poll winners


A few random follow-ups:

I had originally presented the submissions without using names in order to help keep the voting objective, but for those who are curious, here’s the list of all of the participants by entry number:

  1. Abandoned Cars: Steven Manson
  2. Breakaway: Harold Strassler
  3. Cool Fool: Craig McGuire
  4. Detour: Katherine Fendley
  5. The Edge: Brandon Billings
  6. Hybrids: Chuck Walker
  7. Ignition: Silver Sunday
  8. Impound Lot: Becky Broderick
  9. In Deep: Michelle Turner
  10. The Novelty Knock: me!
  11. Sharp Subtle Flavor: David Curry
  12. Sleep Wasted Afternoon: Mary Theresa
  13. Untitled: Paul Sampson Fish
  14. You Can Have ‘Em: Beki Hampton Garland
  15. You Got It: Tina Megahey

After I had published the original article, I discovered that a couple of qualifying songs had slipped past me. Aargh! Two of them, “I Don’t Want To” and “Something Else,” were just total brain blunders. How could I have overlooked these fan favorites, and with Elliot on vocals? Jeez Louise. (Note: I will say that I did purposefully stay away from cover songs that the band just appeared to use to round out their sets, like “Gimme Little Sign” by Brenton Woods, etc.)

The third, “Jezebel,” was a new discovery for me. Of course, I knew that the song had been around with Cap’n Swing (and possibly before that), but I was in the dark that The Cars had performed it, too, until Jon M. gave me a heads up about it. Coincidentally, I received an audio from another source a few weeks later that included The Cars singing “Jezebel” during a weekend gig at The Rat. New to me!

I’m going to edit the original “Let’s Make A Record” article and update my graphic to keep things accurate. Sorry about the goof up!

This was a lot of fun for me — thank you to everyone who read the articles, submitted their ideas, or voted. And another big thank you to Kurt Gaber for providing the prize giveaways! What other fun things can we do, Fanorama? Let me know if you have any suggestions!

Quoting Benjamin

On the reasoning behind the band name: “Who can forget the day he got his driver’s license? Or his first car, or his first drive-in? If I hadn’t had a car, I wouldn’t have driven over from Parma Heights to Fairview Park to go shopping, and I wouldn’t have met my future wife — Kris King from Bay Village. She’s a curly-haired strawberry blonde. Gorgeous!” — “The Cars take off fast in the record derby,” The Plain Dealer, June 9, 1978.

QuotingB

Let’s make a record!

Songs That Didn't Make It To Vinyl 5The discovery of “Looking To See You” from The Cars’ April, 1977, show at The Rat brought to my mind again that the band had a whole cache of great songs that they could have cobbled together into another record. I’m not saying that I wish the debut album was any different — for heaven’s sake, it’s perfection! — but it would have been cool to somehow have my cake and eat it too. They could have done a “lost tracks” compilation, or “road to the record deal,” that kind of thing, don’t you think?

Anyway, that got me pondering which songs I would put on an additional album if I had a say, and in what order. I noodled out my choices, but I want to hear yours! So let’s play a little game: Let’s make a record! All you have to do is:

  1. Look through the list of songs I compiled below. I think I’ve got all of the ones played by The Cars at some point in their career that did not end up on one of the seven studio albums. I’ve added YouTube links in case you need to revisit some of the tunes, and I included the dates in case… well, just because, I guess. Please let me know if I missed a song! (Also, you’re welcome to specify other versions of a song title if you have a favorite; I just grabbed one for each.)
  2. From that list, choose no more than 11 titles that you would include on a whole ‘new’ Cars record. (I capped it at 11 because that is the highest number of tracks on any one of their original studio albums.) You can decide if you want to group them by a time period, or a specific style, or if you want to make a concept album using the songs to tell the story. Or you could compile a ‘greatest hits’-type group, or focus on one of the band members. There are tons of possibilities.
  3. Now make your track list. Think carefully about sequencing. What song would really be a great opener to set the tone for the album? How about a great finisher? Don’t forget to split the list into Side A and Side B — remember, we’re playing with vinyl here!
  4. Brainstorm a title for your record.
  5. For extra bonus points, make a YouTube playlist to share with us!
  6. Overachievers can even go the Robinson route and create some album art. What colors and images would you use? How about photographs? Fonts? Sleeves? Liner notes??? The sky’s the limit! [You can work with any format, but if you’d like to monkey around with graphics, try exploring Canva. It’s free and very user friendly.]
  7. Share! Submit your track list (and/or your YouTube playlist, album art, liner notes, etc.) by posting in the comments below, sharing on Facebook, or by sending me an email through the blog if you don’t want to throw it all out there. 😉

Then… let’s see… should we put everyone’s records up for a vote? I say YES! I’ll gather everyone’s ideas and then organize a little poll here and on social media. I’ll keep all the entries anonymous to avoid personal popularity votes; every record will stand on its own merits. Ooo, I can even have several categories, like Best Track List, Best Cover Art, Best Overall Album, that kind of thing… Oh man, I’m already getting carried away, I can tell.

I’m cooling my jets now, but let’s set a deadline of April 15 for entries if you want to be part of a vote. I’ll see if there’s enough interest in going further. Regardless of if we end up doing that part of it, I really want to hear everyone’s ideas! You can be as simple or as elaborate as you want. It’s your record!

Okay, here’s the list of titles (with links):

Here’s a playlist of all of the songs together in the same order, if that’s easier:

Aaaaand…. GO!

Live at The Rat: the Evolution Continues

1977.04.28 ad for The RatFrom what I can tell, this was The Cars’ fourth weekend gig at The Rathskeller in Boston. They played Thursday through Sunday, April 28-May 1, 1977, sharing the bill with The Good Rats (a New York band with a cool history). It is unclear which night was recorded here.

The flyer advertisement I used at the beginning of the video includes a photo of the early band, before Greg Hawkes joined in January, 1977. The guy on the far right is Danny Louis, the original keyboard player. Elaine Hawkes once commented that she thought the reason the guys were still using this photo to advertise the band was because they were too broke to get new promo shots taken right away.

Another note about the video: I’m not sure if the photos by Joanie Lindstrom are from this actual Rat performance. They look awfully similar to the Robert Post set that was taken in early February, so they could be from that.

Okay, let’s check out the show. Here’s the set list:

  • 0:00 “Just What I Needed”
  • 3:30 “I’m In Touch With Your World”
  • 7:05 “Strawberry Moonlight”
  • 10:08 “Lover and A Holiday”
  • 13:50 “Bye Bye Love” (Ric on vocals)
  • 18:15 “Wake Me Up” (!!)
  • 22:00 “Cool Fool”
  • 24:54 “Looking to See You” (an unreleased surprise)
  • 29:08 “Don’t Cha Stop”
  • 32:45 “You’re All I’ve Got Tonight”

There’s a bit of a rocky start, and it sounds like Ben jumps in just a little too soon, but he corrects himself and then away he goes. A pretty cool show here: more fiddling with the instrumentation and the vocal delivery, and the songs move another notch closer to their final versions. There’s a little feedback problem in “Strawberry Moonlight” — eek! — and Ric on vocals for “Bye Bye Love” — double eek! The live version of “Wake Me Up” is a gem and I’m so glad to have it, in spite of the poor audio quality. ❤

To me, the most notable thing about this show is the song labeled “Looking to See You.” This was completely new to me! The originator of the audio file isn’t even sure if that’s what it’s called because, as far as we know, there are no other published recordings of it. It’s a great song! I assume it was written by Ric, but I know nothing about it. Maybe others can fill in the details?

Enjoy the show!


Please remember that these live audios are not to be bought or sold!

Be sure to subscribe to my YouTube channel and tap on the little bell to get notifications of when I upload new stuff. I’ve started keeping a playlist of the live shows in chronological order. You can check it out here:

Live at Boston University: Short and Sweet

I recently received a treasure trove of live shows from a very cool friend and Cars fan, along with permission to share them. Because it makes the most sense, and because I’m a big nerd, I’ve decided to upload them in chronological order to my YouTube channel, and post a little write-up here with whatever little deets I can dig up about the performance, along with my own $.02.

The first one I did was The Cars opening for Bob Seger at the Boston Music Hall on March 21, 1977. If you missed that one, you can read it here: The Cars and Bob Seger: Yay for Snowstorms!

stephenshermanbostonphotog-1568865106022
Photo credit: Stephen Sherman, 1977

This second audio is another oldie: The Cars at Boston University. There was no specific date for this show when it was given to me, other than March of 1977. I think it must have been recorded sometime toward the end of the month because both Ric and Ben mention Maxanne Sartori leaving WBCN, and her last day was April 1, 1977. This is just a short four-song set, but it sounds like it was part of a larger concert with multiple bands (based on the blurb from the emcee at the end).

The Cars kick it off with “Just What I Needed.” It’s an interesting version. In some of the earlier Cars recordings Ben seems to mimic Ric’s low, draggy vocal style, and he kind of starts off that way here, but then I love how bits of natural Ben break out here and there. It’s a treat, too, to get to hear Elliot’s guitar parts so clearly.  Obviously the song was still evolving at this point (though I do think Ben flubbed the words at :53, as opposed to it being a lyric that was later changed). I can’t tell for sure who is singing back up… is that Ric, maybe? It doesn’t really sound like any of the guys to me. Oh, and I did click backwards a few times to listen to Ben’s little laugh at about 1:45.

When Ric takes over the mic after that song, it’s really cool to hear how relaxed he sounds. He drops the clues for us about the date and purpose of the show, and then introduces “I’m In Touch With Your World.” It doesn’t sound like Greg was incorporating all of his instrumental gew-gaws quite yet, although I do hear a toot or two on the whistle and a few other odd little sounds here and there. I love it!

From there, Ben leads the band into “Cool Fool” and there is no trace of Ric impressions… it’s a full-on vocal Ben fest. The whole performance smokes: Elliot is off the chain, ripping it up left and right. David can’t be thrown off the beat for anything, and Greg holds it all up with his subtle keyboard work and the reappearance of that whistle. Dudes must have been sweating after that one!

maxanne
Maxanne Sartori. Image retrieved from the internet.

As the crowd swells with cheers of approval, I adore Ben’s response: “Thanks! Okay… this one’s our bye-bye song and for our very special friend, Maxanne.” The band jumps into “Strawberry Moonlight” with a raucous energy; the perfect way to end their set.

The last little snippet of audio features an announcer indicating that The Cars are just one of the bands that will be playing that day, but then he gets cut off and it’s a bummer because I feel sure he would have identified the occasion for the concert. Oh well, it’s better than nothing. I have my fingers crossed that someone reading this might have memories of that show they’d like to share with us. That would be cool!

Lyrics: Think It Over

“Think It Over” by The Cars

Every time I see you got to jump and shout

I haven’t got a clue what it’s all about

Well, I never had a dream that looked so much like you

I’ll do anything that you want me to

 

(Think it over, think it over)

Well, there’s nothing you can do to make me want to stop

(Think it over, think it over)

Well, every time you run around it makes me want to pop

 

What’s it going to take to make you change your line

What’s it going to take to get your valentine

How can I be sure that you’re the one for me

I only know that you wanted to be free

 

(Think it over, think it over)

Well, there’s nothing you can do to make me want to stop

(Think it over, think it over)

Every time you run around it makes me want to pop

Nothing you can do to make me want to stop

Every time you run around it makes me want to pop

Nothing you can do to make me want to stop

Think it over

 

Every time I see you got to jump and shout

I haven’t got a clue what it’s all about

I never had a dream that looked so much like you

Well, I’ll do anything that you want me to

 

(Think it over, think it over)

Well, there’s nothing you can do to make me want to stop

(Think it over, think it over)

Every time you run around it makes me want to pop

 

(Think it over, think it over)

Well, nothing you can do to make me want to stop

(Think it over, think it over)

Well, every time you run around it makes me want to pop

There’s nothing you can do to make me want to stop

Every time you run around it makes me want to pop

There’s nothing you can do to make me want to stop

 

Think it over, yeah

Think it over, think it over

Lyrics: This Could Be Love

“This Could Be Love” by The Cars

Oh yeah, I got time

Oh yeah, I guess I’m doing fine

‘Til I met you in the dark I was chasing little sparks

You were slinked and dressed in pink

Here was someone you wouldn’t think

 

Is this the kill? Is this the thrill?

I’ll wait until you say this could be love

This could be love

 

Oh yeah, I got hope

Oh yeah, it really comes and goes

‘Til I met you things were easy

Until I felt you things were sleazy

It doesn’t matter once I told you were someone I could hold

 

Is this the kill? Is this the thrill?

I’ll wait until you say this could be love

This could be love

This could be love, this could be love

 

Oh yeah, I want you

Oh yeah, more than you want me to

‘Til I met you in the dark I was chasing little sparks

When you think you’re going to sink

Here comes someone you wouldn’t think

 

Is this the kill? Is this the thrill?

I’ll wait until you say this could be love

You say this could be love, oh yeah

Lyrics: Cruiser

“Cruiser” by The Cars

Big city noise disappears

Sucker punch is in your heart

Life is reason, light is clue

My shape is shapeless in your suit

Chrome red eyeballs reflect and roll

The simple sun is slowly sinking

Roman shoes and pretty hats

Glitter bombs that beat the beat

You comb the night ’cause you’re a cruiser

And you never get enough when you’re cruising down the street

And you’re taking off the heat when you’re on the moonlight run

(cruiser… cruiser)

Floating jets and big vignettes

Get the treatment, grab a cab

Set aside the screaming fish

Tell the world why you’re so glad

Flip the switches, pull the plug

You always wait for better news

You need a hit, you need a suck

You don’t easily get amused

You comb the night ’cause you’re a cruiser

And you never get enough when you’re cruising down the street

And you’re taking off the heat when you’re on the moonlight run

(cruiser… cruiser)

Lyrics: Running To You

“Running To You” by The Cars

I’m coming around, I want you to come

I’m coming around just for the fun

Having a real time just taking what’s not mine

And I’m doing what I want to do

 

That’s running to you (running to you)

That’s running to you, that’s (running to you) running to you

 

You’re looking for someone, maniacal shots

You’re looking for someone over the top

I’m having a real time just reading your headline

And I’m doing just want I want to do

 

That’s running to you (running to you), running to you

That’s running to you (running to you)

 

You’re hoping for someone that fits in the plan

You’re hoping for someone, two in the hand

I’m having a real time just taking what’s not mine

And I’m doing what I like to do

 

That’s running to you (running to you)

I’m running to you, I’m running to you, that’s running to you

And that’s running to you (running to you), I’m running to you

(Running to you),  run run running to you

Running to you

 

I like running to you, (running to you) running to, running to you (running to you)

I like running to you (running to you), run run running to you

 

The Cars and Bob Seger: Yay for Snowstorms!

So we know the story about Roy Thomas Baker driving out to see The Cars play in a snowstorm at the end of 1977, and everyone shaking hands on going to England with him to produce the first album. Well, that wasn’t the first time The Great Snowflake proved fortuitous for the band. Mother Nature gave our boys a little gift at the beginning of that year when they were just starting out.

Bob_Seger_-_Night_MovesIn March of 1977, Bob Seger was riding high on the huge success of his recently released breakthrough album, Night Moves. Though it was his ninth studio album, it was the first one to catapult him into nationwide success and his first to go platinum. He had booked a show at the Music Hall in Boston for Friday, March 18, with Derringer as his opening act. [Nerd alert: Seger had not headlined in Boston before. Another first for him!]

Friday arrived and Derringer opened the show as planned, but Bob got stuck. Heavy snowfall prevented his plane from landing and he was forced to fly back to New York. Apparently Derringer had finished their set before the postponement announcement came, and, amazingly, they played another rockin’ set before the fans were sent home.

The concert was rescheduled for Monday, March 21, but Derringer was not able to play that date for some reason. I didn’t do deep research on the ‘why’ behind that because what matters is that the opener slot was left vacant. Even up to the day of the show, the replacement act had not been announced: the newspaper ad stated, “It is expected that a local band will open tonight.”

stephenshermanbostonphotog-1568864708165
The Cars by Stephen Sherman, 1977; shared with permission.

The Cars were still fairly new at that time — in terms of the combination of members, anyway. Greg had joined the band sometime in January as the fifth and final Car part (groan!), and their first live show all together was at The Rat on February 7. In Joe Milliken’s book, Let’s Go! Benjamin Orr and The Cars, we learned that band manager Fred Lewis convinced music promoter Don Law to let The Cars slip onto the bill for that Seger show, though they only had a handful of gigs in the bag.

Obviously, this was a terrific stroke of luck for The Cars. Not only did it give them a chance to reach a greater audience, but it also put them on the radar of the bigger wigs in the music industry. Yay for snowstorms!

So let’s get to the actual recording. I wish it was video footage! Still, I am so grateful for this auditory treat. The person who captured the concert on tape showed up just a bit late, so we miss a smidge of the first song. The Cars’ set lasted just under 30 minutes, and included:

  1. “Bye Bye Love” with Ric on vocals.
  2. “I Don’t Want To,” sung by Elliot.
  3. “Leave or Stay”
  4. “You Can Have ‘Em,” also known as “Sleepy Wasted Afternoon.” [Sweet Ben jumping the starting gun! ❤ ]
  5. “Don’t Cha Stop” (called “Don’t You Stop”), with a Greg synth riff in place of EE’s later solo and some slippery vocal timing on the chorus.
  6. “Come Back Down”
  7. “Strawberry Moonlight”

I couldn’t find a written review of The Cars’ performance (I guess Bob Seger was terrific!), but the crowd sounds appreciative of the band in the audio file. I also don’t know the number of people actually in the audience, but I think the seating capacity of the Music Hall was around 3,500, which was quite a bit more than The Rat held. Haha!

A few notes:

  • It’s cool — and a little strange! — to experience these early incarnations of “Bye Bye Love” and “Don’t Cha Stop.”
  • We definitely hear a little more addressing of the crowd than Ric usually participated in during a live show.
  • I love the little bits of banter that Ben sneaks in, like when he mentions the ‘strange people up there in the balcony’ around 12:25.
  • And is that Greg that says, “Good Lord! Look at that!” right before Ben’s comment?
  • And speaking of Greg, listen for his badass saxophone work!
  • Also, don’t miss Ben’s introduction to “Come Back Down” at about 16:12.

Oh, and about “I Don’t Want To”… I think this is an original Cars’ song because of the way Ric introduced it, even though I’ve never heard of it referred to anywhere else in The Cars’ discography. I wonder who wrote it? Probably Ric, I know, but it seems like something Elliot could have penned. I’ll have to do a lyrics post for it, too, because this song is hilarious. And does anyone else feel their heart rate spike when Ben sings, “bay-be bay-be bay-be, bay-bay!” or is it just me? I think that’s my favorite part of the whole show.

Okay, your turn! Click below to listen to one of the earliest published recordings of The Cars. Enjoy!

#CelebratingBenjaminOrr

Lyrics: Down Boys

“Down Boys” by The Cars

You were trying to be cute and it didn’t work out

You were trying to be charming and it didn’t come off

You were trying to be clever, a big waste of time

You were trying to get rough but you’re waiting in line

 

You can’t make it with the down boys, they don’t hear a word you say

You can’t make it with the down boys, just stay out of their way

 

You were trying to be sharp but they couldn’t wait

You were trying to be eternal but that didn’t rate

You were trying to be smooth, you’re rough on the edges

You were trying to be hysterical and I still ain’t laughing

 

You can’t make it with the down boys, they don’t hear a word you say

You can’t make it with the down boys, just stay out of their way

 

You were trying to be in but they left you out

You were trying to be in two different worlds

You were trying to be in, oscillation in shame

You were trying to be in but you’re lost in the game

 

You can’t make it with the down boys, they don’t hear a word you say

You can’t make it with the down boys, just stay out of their way

Stay out of the way… out of the way!

 

You can’t make it with the down boys, they don’t hear a word you say

You can’t make it with the down boys, just stay out of their way