Celebrating Ben today.

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Photo credit: George Shuba

Hello friends! This weekend I am hosting a social media event on Facebook where I’ve invited friends and Ben fans to come and share music, videos, photos, and graphics to honor Ben on the 20th anniversary of his passing. I know not everybody has Facebook, so I’m creating a special page here on my blog where I’ll add the unique things I am sharing over there.

If you look to the left you should see the heading for Pages, and right underneath that there is a link for #CelebratingBenjaminOrr. That’s where everything will be. I’ll keep adding to it over the weekend as I add to the Facebook event to keep everyone in the loop as best as I can.

Feel free to share in the comments what you’re doing today to remember Ben. I’m very grateful that we can all celebrate him together in this small way. ❤

Lyrics: Love Me Baby

“Love Me Baby” by The Grasshoppers

You know that I love you no matter what I do

Come on baby, come meet me, please do

Well come on baby take me by the hand

And lead me baby to that wonderland

Oh love me darlin’ as I love you

You know pretty babe well that I’ll always be true

So love me, love me as I love you

Let’s go

Well so come on baby take me by the hand

And lead me baby to that wonderland

Oh love me darlin’ as I love you

You know pretty babe well that I’ll always be true

So love me, love me as I love you

Yeah yeah yeah yeah

You’re the one that God made me for

Who could ask for anything more

You’re God’s gift from heaven above

Little baby baby baby you’re the one I love

So come on baby take me by the hand

And lead me baby to that wonderland

Oh love me darlin’ as I love you

You know pretty babe well that I’ll always be true

So love me, love me as I love you

You’re the one that God made me for

Who could ask for anything more

You’re God’s gift from heaven above

Little baby baby baby you’re the one I love

So come on baby take me by the hand

And lead me baby to that wonderland

Said love me darlin’ as I love you

You know pretty babe well that I’ll always be true

So love me, love me as I love you

Love me, love me as I love you

Love me, love me as I love you

Lyrics: I Love You

“I Love You” by The Grasshoppers, 1964

Well I saw you and you glanced at me

And I knew right away that you would always be

My only true love, and now I’ve run off the time*

I thought forever that you’d be mine

I love you, I love you

I love you, my love

I love you forever, ever, ever and ever

Well now when I saw you, love, standing in the dark

And slowly but surely you were breaking my heart

I left you with your hand* and I ran away

But I want you to know that until this day

I love you, I love you

I love you, my love

I love you forever, ever, ever and ever

Well, now rock!

Well I love you, I love you

I love you,  my love

I love you forever, ever, ever and ever

Well now say when I saw you, love, standing in the dark

And slowly but surely you were breaking my heart

I wanted to say that I love you

I knew right away that you were making me blue

I love you, I love you

I love you, my love

I love you forever and ever and ever

Grrr, rock!

Rest in peace, Dante Rossi.

Rest in peace, Dante Rossi.

Today I woke up to the sad news that Dante Rossi passed away.

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Dante Rossi with author Joe Milliken. January, 2019.

I had the pleasure of meeting Dante in Cleveland less than six months ago, where he was hale and hearty (and very charming!) and having the time of his life. We were all gathered to celebrate the release of the book, Let’s Go! Benjamin Orr and The Cars. Dante played a significant role in Ben’s career back in Ohio in the 1960s, and it was fitting for him to shine in the spotlight at that event. Many of us were eager to thank him for his music, his meaningful relationship with Ben, and for coming and honoring Ben’s memory with us.

Dante was the vocalist and rhythm guitar player who originally started The Grasshoppers, securing Joe Mayer as manager and lining up a record deal for the band. When he decided to leave the group in 1964, it opened the door for Ben to audition to take Dante’s place. As we now know, Ben got the job, and the popularity, exposure, and experience of playing with The Grasshoppers were instrumental in helping Ben achieve his rock-and-roll dreams.

As for Dante, he joined up with another group of great musicians and formed The Dantes, which were renamed The Tulu Babies before ultimately settling in under the name The Baskerville Hounds. Between 1964 and 1972 the Hounds (as they were sometimes known) revelled in much local and national success, playing extensively in the greater Cleveland area and opening for such acts as The Rolling Stones and Sonny & Cher. In turn, The Baskerville Hounds had acts like The Shangri-Las, The Tree Stumps (featuring Michael Stanley) and The Grasshoppers open for them during the peak of their popularity.

The first hit for the guys was recorded in 1965 while they were still The Tulu Babies. It was called “Hurtin’ Kind” and not only was it a local smash, but it was popular in the UK as well, being covered by many British acts and even appearing in the soundtrack for the 2000 film Gangster No. 1 starring Malcolm MacDowell.

In 1967, the fame of The Baskerville Hounds continued to climb with the release of their self-titled album, which featured two singles that put them on the Billboard Hot 100 chart: “Debbie,” (#99) and “Space Rock part 2” (#60). The popularity of the latter track was reinforced when it was played so often on Cleveland’s hit television show Ghoulardi it became an unofficial theme song. The Hounds had a third song grace the Billboard chart in 1969 when they released “Hold Me” (#88).

[I’ve been listening to many of their songs today as I write this. If you’d like to explore their sound, the playlist I’ve created should help you get started.]

The band ultimately dissolved in 1972 (though there would be some reunions in later years) and Dante changed professions, opening Dante’s Barber Shop near Ben’s childhood home in Parma Heights. Dante and Ben stayed close long after Ben left Cleveland and hit it big with The Cars, and Dante was one of the speakers at Ben’s memorial service in 2000.

Dante said in Let’s Go!, “When The Cars finally got their record deal, I remember being invited to a Christmas party at Benny’s mother’s house and everyone was just so proud. Benny was thrilled; he just sparkled! All the hard work and fighting through adversity had finally paid off. Think about all the talented musicians out there that never make it, never end up being heard, but Benny had the tenacity and determination to see it through, and I couldn’t have been more thrilled for him.”

I’m so grateful I got to meet Dante in person and shake his hand; I’m thankful I got to tell him how much I appreciated all he did for Ben. It’s comforting to think that Dante and Ben may now be reunited and rocking together in their prime. May it be so.

Rest in peace, Dante Rossi.

[If you’d like to leave a note of condolence for Dante’s family, you may do so through Legacy.com.]

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L-R: Bill Emery, John Kirkpatrick, Larry Meese, Dante Rossi (seated), Doug McCutcheon, 1965.  From the Baskerville Hounds’ official website.

Main Sources:

  1. Dante Rossi’s contributions to Let’s Go! Benjamin Orr and The Cars by Joe Milliken.
  2. This great interview at History of the West Park Neighborhood with Baskerville Hounds member Doug McCutcheon.
  3. The Baskerville Hounds’ official website.
  4. The band’s Wikipedia page, of course.

 

Not *Our* Grasshoppers

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The Question: A reader recently asked me about this song on Youtube by The Grasshoppers and wondered if I could clarify, “Was this The Grasshoppers before Ben joined? Or a different band?”

The Answer: Nope. Not Ben’s Grasshoppers.

 

Though the music and vocals sound similar to the band that made Ben a local celebrity in Cleveland, Ohio, and the time period is chronologically right in there, it is just a coincidence. This single was recorded by a band out of Twin Cities, Minnesota, that consisted of Jiggs Lee singing lead, Ben Hamar helping with vocals and handling lead guitar, Tim Black on bass, Tom Acheson on rhythm guitar, and Phil Scowler on drums.

12360311_489952661215987_1722542770745606969_n.jpgJiggs would go on to front a band called Cain, a heavy metal group which had a degree of success through the 1970s with their two albums, A Pound of Flesh (1975) and Stinger (1977). Jiggs was inducted into the Mid-America Music Hall of Fame on September 17th, 2010.

The song featured in the video in question is “The Very Last Day,” written by Paul Stookey and Peter Yarrow. It was originally released in 1963 by Peter, Paul and Mary, and covered by The Hollies in 1965 (both versions also available on Youtube). This Grasshoppers recording was put out in 1966, and may have been the flipside to the band’s cover of “Sugar and Spice” by The Searchers.

Even though it is not our Ben, click below to take a listen. It’s a great tune!

 

My sources:

  1. Some information from Soundcloud.
  2. A little bit more from Discogs.
  3. A smidge from secondhandsongs.com.
  4. This quick blurb about Jiggs getting inducted by Zipperneck Studios.
  5. Lots more on Jiggs from Twin Cities Metal.

The Gifts of “Let’s Go”

The Gifts of “Let’s Go”

(Header photo courtesy of Natalie Gaber)

I’m groggy, lying in my bed Sunday morning. I have to check out of my hotel in half an hour but I don’t want to start a new day. How could Saturday night have flown by so quickly? Images keep flooding my mind, little snippets of conversations to replay, impressions to sort and kind words to tuck away in my heart… elements of a gift. And Ben… so much Ben in the air!

If I could just turn back the clock and experience the night of January 12 all over again.

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Photo courtesy of Joe Milliken.

Admittedly, I almost get off on the wrong foot. I take a few wrong turns trying to get to the venue and I’m about 15 minutes late; it is a relief to finally see the shining logo of the Music Box Supper Club beckoning me in the dusk. I whisper, “Okay Ben, here we go,” as I give a little tug on my memorial pendant.

From the minute I pull into the valet lot my mind is going over the to-do list: scope out the concert hall, find the production team, preview the slideshow, time cues, guest list adjustments… Heading up the stairs and ah, there’s Joe! Yay, Neil and Diane are here! Hugs all around. Wait, where is David Spero? On his way? Got it.

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Joe, Donna, Lars, and Matt. Photo courtesy of Matt Fuller.

The guys from Moving In Stereo are here, too! I make sure to give Matt Fuller, the bassist and co-vocalist for the band, an extra-tight hug. I am so grateful for all he did to connect us with Colleen, the owner of the venue, and to secure the gig for tonight. He’s been on board since the first hint of the event and was invaluable in my planning. I am introduced to drummer Bryan Beyer and keyboardist Joshua Hartman who are both filling in tonight. Noah Patera is unable to be here on his drums, but it turns out that Lars Altvater’s prior commitment has been cancelled. Rather than pull Josh off the keys, though, Lars chooses to spend the evening taking photographs and mingling. Like the other members of the band, Lars is the definition of class and professionalism. Rhythm guitarist and co-vocalist Danny Ayala and lead guitarist Bob Heazlit greet us with huge smiles and hearty hugs, too. I am so happy to see these talented men again!

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Photo courtesy of Joe Milliken.

Leaving the band to finish their dinners, Joe and I go check out the concert hall. The space is terrific: a nice-sized stage with plenty of room for the video to be shown on both the left and right of it. Tables fan out into the large seating area, and a well-equipped bar is conveniently off to the right. The servers are bustling around getting ready for their night as we preview the video setup — it’s excellent!

Ah, here’s David Spero. Okay, up on the stage, figuring out logistics. I see people are starting to trickle in. Do I know them? Are they from the Fanorama? But I don’t want to be awkward and stare, and oh yes, I need to grab drinks for Joe and David, find a portable mike for the Q&A session, and figure out where the Mac’s Backs Books rep is going to set up — oh hey, she’s here and has it all under control. I should have known. Suzanne from Mac’s Backs Books has these events down to a science and is a joy to work with. Perfect!

Before I know it the place is filling up. I’m so giddy to greet my beloved friends and to make connections with others I’ve only known in text. Lots of hugs and happiness everywhere; the place is crackling with energy. And it’s already time to pull Joe from the foyer where he’s been signing books and get him to his position on the stage. But first… the green room. We need to refocus. I give Joe a minute of quiet to breathe, to settle down and plant his feet. We both need it, actually.

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Photo by Michael Kenny.

Now I cue the production guys, the house lights go down, and David Spero welcomes the guests. The video plays off perfectly and Ben’s presence fills the room. We see him grow from infant to teen to rock star, moving through the success and difficulty in his life, his unmistakable charisma intact. I can’t help but seek out the faces of those who knew Ben best to catch their reactions; my heart swells as I see their approval and happiness. I feel like creating this tribute with photos and music is one of the gifts I offer for the event and I am thankful it seems well received.

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David Spero and Joe. Photo courtesy of Becky Broderick.

People continue to arrive as David introduces Joe and the two begin their talk like old buddies. All eyes are on them. The first of two of ‘the most beautiful moments of the night’ happens when David asks Ben’s former bandmates to stand and be recognized. A handful of men rise from around the room, and the crowd answers with hearty applause. Joe makes sure to mention Chris Kamburoff (Mixed Emotions) by name, who couldn’t be here because of health issues, and encourages Chris’s son, Ashton, to stand in his father’s place. More applause… and tears, too. Precious.

We take a few questions from the audience but the time has evaporated and I give David Spero the ‘five minutes’ signal. He wraps it up like a pro, and it’s time for me to escort Joe back out to the foyer. As we wind our way through the crowd people are shaking Joe’s hand, clapping him on the back, congratulating him. His smile is huge. Moving In Stereo is taking command of the stage and the slideshow is playing again for those who missed it as we make our way out to the table, where a line of people are already waiting for a signature.

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Moving In Stereo takes the stage. Photo courtesy of Linda Strong Beyer

I wish I could be in two places at once, both sitting beside Joe hearing all of the amazing Benjamin stories people are sharing with him as he signs their books and poses for pictures, and simultaneously rocking out near the stage to the pulsing sounds of the greatest Cars tribute band ever. Instead I go back and forth between Joe in the foyer and the guests in the concert hall, trying to greet everyone without being a creeper… I just want to hug each one and tell them how grateful I am that they came and that they have made my night so special just by showing up.

Throughout the evening I witness so many ways that this show has brought people together. I overhear happy exclamations of, “Hey man! It’s so great to see you again!”, observe pockets of social media friends meeting and hugging, am asked to take group photos of tablemates. Two Cleveland radio legends carve out time for a chat and an interview together. Fans stop me to ask about my Benjamin Orr t-shirt, and I am able to lead them right to the artist in the audience. The grandson of one of Ben’s early friends is a fledgling guitar player, and after the show I take him to meet the members of Moving In Stereo, where they talk about Les Pauls and check out the view from the stage. And I have the privilege of meeting people who read my blog or listen to the podcast and hear their words of encouragement. It is all so dear to me!

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Me with Joe Kurilec of the Mixed Emotions. Photo courtesy of Joe Milliken.

I am also fortunate to encounter people who are important bricks in the tower of Cleveland rock history: Harry Harwat, Dante Rossi, Wayne Weston, Joe Kurilec, John Gardina, David Spero… ordinary looking people that you might pass on the street, but who played such foundational roles in Benjamin’s success, and I know that this night is also for them; it is about their legacy, too. I’m honored to have them sign my copy of the book.

And the band… THE BAND! I catch snippets of songs as I’m moving about, enjoying my favorites like “Let’s Go,” “Gimme Some Slack,” and “It’s All I Can Do.”  From time to time I stop at the table where my dear friends Kurt, Nat, and Dave are, and we look at each other and gush, “these guys ROCK!” but I don’t really get a chance to focus on the show until a bit later when Joe has a break in the autograph action and he’s able to come join the party. We rock out to “Good Times Roll” and “Just What I Needed” and people are dancing and singing along and the room is packed… it’s so awesome! Even with two stand-ins the music is so tight and true and my adrenaline soars even higher.

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John Gardina plays “Drive.” Photo courtesy of Becky Broderick.

Toward the end of the band’s hour-and-a-half set, the second of ‘the two most beautiful moments of the night’ takes place. One of Ben’s former bandmates, Mixed Emotions bassist John “Johnny Joe” Gardina, has come to the event. It takes some persuading, but he is finally convinced to join Moving In Stereo onstage for an encore performance of “Drive.” It’s so touching to see the smile on the face of this talented and humble man as he picks out the bassline to one of the most memorable songs Benjamin Orr ever sang. The way he stands toward the back like Ben used to, and how he adds his own flair to the melody, and shyly accepts the cheers of the crowd… All these little things reflect how much Johnny Joe loves and honors Ben.  It is both tender and badass at once, and a highly fitting way to end the night.

Now maybe you already know this about me: I’m not a professional publicist. I am a homeschooling mom with four kids and I’m a bit of an organizational freak, so while I know how to boss people around and get things done, I’ve never put together a shindig this big. Joe took quite a gamble, placing the responsibility of this event in my hands. And I know this night is not about me, not in the slightest. But I gotta tell you, as I look around at about 300 people partying over Ben and the book, I feel pretty proud of myself. No catastrophes, no resorting to Plan Bs, no disappointments, and Joe is rosy-cheeked with happiness. A definite success.

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Me with author Deanna Adams. Photo courtesy of Joe Milliken.

The cherry on top? One of my writing heroes, accomplished Cleveland author Deanna Adams, is in attendance, and when I meet her she praises me loudly for all the work I’ve done promoting Let’s Go!, and she announces that she wants me to be the public relations coordinator for her next book. I won’t hold her to that second part of it, but I take it as a very sweet and meaningful compliment, and I feel it deeply.

The lights come up but the connections continue. More introductions are made, hellos and goodbyes, group photos. My voice is a bit hoarse, but I can’t stop smiling. It’s all been so lovely! As Joe and I prepared for this night, I kept telling him, “Don’t be nervous. These people just want to party with you. You’ve already given them your gift.” And now I realize, as I run my fingers over my Benjamin Orr memorial pendant (as I’ve done so often this evening), that this party itself was full of gifts, too, that every attendee generously gave to us.

Episode 45: The Cars Year in Review 2018

EP45“Twenty eighteen… probably the most exciting year we’ve had as fans since Move Like This came out.” ~ Mr. Steel Wool

Another year gone… can you believe it? And this one has been a doozy!  Dave and Donna are joined by dear friends of the show Kurt and Jenny as they revisit all of the amazing happenings in the Fanorama over the last 12 months.

Before they dive in, they quickly recap the latest news in The Cars world: the song “Let’s Go” shows up in the new Transformers movie Bumblebee, a guitar signed by the 2018 RRHOF inductees is up for bid, and Dave reads a sexy letter from Alberto Vargas congratulating Donna on her recently published Atlanta burger article.

From there they start to work through the 2018 calendar. The list of incredible milestones is long and luscious.

  1. The thrill of The Cars’ induction to the Rock and Roll Hall of Fame
  2. The next installment of the expanded editions
  3. Chris Morris rocks the Fanorama with his incredible illustrations
  4. Reliving the glory of having Greg Hawkes on the podcast
  5. Ric Ocasek’s recent artistic activities
  6. Turbocharge comes to life… sort of…
  7. New audio files that surfaced from Cap’n Swing, The Grasshoppers, and Richard and the Rabbits
  8. Ben’s biography gets published

… And so much more!

Before they close out they attempt to answer the pressing questions: Anything new for 2019? Is there anything left? What can we expect?

You’re going to want to be sure to stay through to the end. This fun episode wraps up with a new recording of “the business” by vocal talent Elizabeth, followed by a Christmas song by our faithful and talented friend Brett Basil, who gives us his take on what it might have sounded like if The Cars ever did a Christmas song.

Now don’t forget… We want to connect with you! Find us on Facebook, follow us on Twitter @TheCarsPodcast  (individually we’re @night_spots  and  @sweetpurplejune ), and subscribe to our audio outlets! You can listen by clicking the Youtube link below, or visit us on iTunes or Soundcloud. Wherever you connect, be sure to subscribe, share and comment. Let us know your thoughts — email us at nightthoughtspodcast@gmail.com. We’d love to hear from you!

Click below to join us in celebrating The Year of The Cars!

In other words:

Regarding how Benjamin would feel about the Rock and Roll Hall of Fame induction: “He grew up in Parma Heights, Ohio… There was a weekly TV show he was on called Upbeat and The Grasshoppers were the big stars of it. He was a good-looking 16-year-old singing wonderful songs with that great voice. He’s been inundated with music since he was a kid. He was pretty proud to have come from Cleveland.” — Ric Ocasek, Rolling Stone magazine, December 13, 2017

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Ric speaking during The Cars’ induction into the Rock and Roll Hall of Fame, April 14, 2018. Photo credit unknown. 

Lyrics: Mod Socks

Mod Socks by The Grasshoppers (written by Carl Maduri and Lou Pratile, 1965)

Well who wears mod socks?
Well, girls wear mod socks.
My sister wears mod socks.
My mother wears mod socks.
My aunt wears mod socks.

Now Benny wears mod socks.

Girls wear mod socks.
My friends wear mod socks.
My mother wears mod socks.
My aunt wears mod socks.
My cousin wears mod socks.
My fans wear mod socks, let’s go now….

Well I said who wears mod socks?
Girls wear mod socks.
Your sister wears mod socks.
Your mother wears mod socks.
Your aunt wears mod socks.

Now Benny wears mod socks.

Girls wear mod socks.
Your sister wears mod socks.
My granny wears mod socks.
Your cousin wears mod socks.
Your sister wears mod socks.
Your mother wears mod socks

I said who wears mod socks?
I said who wears mod socks?
My baby’s got some mod socks.
Yeah I think those are mod socks.*
Go on and grab some mod socks.*
Come on and grab some mod socks, yeah right now*

Lyrics: Pink Champagne

Pink Champagne by The Grasshoppers (written by Ben Orzechowski, 1965)

Well, pink champagne and red, red roses

For you, my love, there will be, yeah

Pink champagne and red, red roses

If you spend your life with me

 

You are my angel from above

I’ll never cast away your love

If you’ll just say you’ll linger with me

Pink champagne and roses there will be

 

Sometimes a heart can be the very start

So, my dear… and come right here

 

Pink champagne and red, red roses

For you, my love, there will be, yeah

Pink champagne and red, red roses

If you spend your life with me

With me

With me

With me

Benjamin: Lead Vocal List

C’mon, do I even need to say it? Benjamin’s voice is… everything.

Beautiful to the ears. Wonderful in vocal range. He opens his mouth and easily creates those lilting harmonies, or those deep warm tones.  Dramatic, melodic, seductive. Full of disdain or smoldering with emotion. Exuding confidence. Descending and weaving and pressing close…

I could go on and on, gushing about the mellifluous sounds that come out of that man, but I promised myself I wouldn’t. This is supposed to be just straightforward research. As you know, I love to have my little rows of facts and dates and figures; they make me so happy. Pulling data together and organizing it into a meaningful, structured presentation gives me a geeky thrill.

I’m a nerd… I know this.

So I decided I wanted to see a list of all of the songs Benjamin sang in his far-too-short career. Typing it into a single column in chronological order triggered a bout of pinball-machine-analysis and deep, varied speculations, but I’ll keep those to myself for now. And as satisfying as it was for me to see the list in a simple Word doc, I decided to stretch myself into the world of designing ‘infographics’ with this article. Bear with me, they are a little basic, but I wanted to add some color.

(And did you like my title? “Vocal List”… “vocalist”… see what I did there? Haha. Okay, okay… moving on…)

Before we dive in… some little disclaimers:

  1. This blog post is a work in progress.
  2. During the Milkwood and Ocasek & Orr years with Ric, the two harmonized and shared vocals so often that I decided not to list every single song they recorded, but instead only listed the ones where Benjamin handles the lion’s share of the vocals.
  3. I believe Ocasek & Orr recorded a version of “Start It All Again,” and I have always assumed that Benjamin sang the lead on it (as he did with Cap’n Swing), but I didn’t list it under O&O since I’ve not actually heard that version (but boy, would I love to!).
  4. I understand that Benjamin did some background vocals for other artists, but I haven’t been diligent about making notes when I come across that information. I’ll start a file to collect those notes, so hit me up with links, please and thank you.
  5. And again, I am only listing songs where he sang lead or the majority of the vocals…
  6. …except for “Since I Held You” and “You Are The Girl.” Wikipedia gave Benjamin a shared vocal credit on those, so I added them, too.
  7. I’ve only addressed songs that I’ve actually heard or can otherwise verify the existence of, but as always, I obviously don’t know everything. If I’m missing information PLEASE let me know!

And we’re off!

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** Update July 26, 2018: Added two songs to The Grasshoppers and the songs recorded by The Mixed Emotions (recently discovered through ebay). Also updated The Cars’ demos column to include “Midnight Dancer” and the demo recording of “Shake It Up” from the expanded edition of Shake It Up, released in 2018.

**Update August 18, 2018: Added “When You Gonna Lay Me Down” to The Cars — a song I somehow forgot to list. Thanks so much to my dear research-nerd-twin, JMW, for the catch!

**Update October 5, 2018: Added “I Know I’ve Had My Chance” to Cap’n Swing. Made available for sale by Glenn Evans in April, 2018; apparently recorded on August 28, 1975.

**Update June 17, 2019: Added “You Wanna Man” (written by John Gardina, sung by Ben) and “Julie Ann” (written and sung by Ben) to The Mixed Emotions. “Julie Ann” was performed and recorded with The Mixed Emotions at some point, and then apparently recorded again at Cleveland Recording Studio in November of 1969 while Ben and Ric were playing as Leatherwood.

**Update October 4, 2020: Added a circle for Leatherwood with “Falling Suitcases” and “Julie Ann” from 1969.

In other words:

“We were just amazed watching Benny. He could play any instrument, and he could sing. He was so smooth, so well-dressed. Honest to God, he was just beautiful. It was stunning.” — Ginny Mayer, co-manager and wife of Grasshoppers manager Joe Mayer; from “A History & Retrospective on the Life of Benjamin Orr” by John Colapinto

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