The Cars and the RRHOF: Who Cares?

The Cars and the RRHOF: Who Cares?

Quite a few people (translation: Cars fans) are pretty upset about The Cars not getting into the Rock and Roll Hall of Fame (RRHOF) this year. I’ve been asked my thoughts about it a couple of times, and personally, I swing back and forth between frustration and apathy. Since I am SO crazy about this band, it is hard for me to be objective about what they ‘deserve’ with relation to achieving induction; I am completely driven by my love for those five guys and their incredible music. Even so, I am able to form an opinion based on concrete evidence. But before stating my honest (and hopefully, rational) thoughts on the subject, let me try to give a basic factual framework to build on.

First I had to understand just how the Rock Hall worked. I am very grateful to the posts on the Iconic Rock Talk Show blog for giving me the rundown in concise, humorous, educational articles.

In a nutshell, the artists that make the official ballot are chosen by a nominating czwsxtpwiaacrlocommittee made up of 28 members from the music industry (musicians, executives, managers, journalists, etc.). Once the nominees are chosen the ballot goes out for votes in two ways: first, 800+ ballots are mailed out to more music industry professionals, including the living members already inducted into the Rock Hall. They get to vote for their top five artists to get in.

Secondly, a fan poll is set up where any Tom, Dick and Harry can vote for their faves to be inducted. The top five vote-getters in the fan poll get ONE additional ballot vote, to be counted with the other 800+ ballots from the industry. Does that make sense? It’s important that it does, because as fans we need to understand that placing in the top five of the fan poll does NOT mean our band will earn automatic induction into the Hall of Fame.

Historically (since the fan poll was instituted in 2012) the band that finishes FIRST in the fan poll has been inducted, but finishing first is NOT a guarantee, nor is it inherently stated in the induction criteria.

rrhof

The next question I had to tackle was: do The Cars deserve to be in? Now, things might get muddy here emotionally but I’m going to try to stay on track. For the record, here is what the Rock Hall website puts forth as the criteria for eligibility for the Hall of Fame:

“Artists—a group encompassing performers, composers and/or musicians—become eligible for induction 25 years after the release of their first record. Besides demonstrating unquestionable musical excellence and talent, inductees will have had a significant impact on the development, evolution and preservation of rock & roll.”

Okay, the first one is easy: “25 years after the release of their first record.” Since The Cars released their debut album in 1978, they were eligible for induction in 2003. Whew.

Next up: “…demonstrating unquestionable musical excellence and talent…” I understand that this is a matter of opinion for each person casting a ballot. Of course, there is NO question in my book.

  1. Ric was an amazing lyricist and visionary, and his vocal styling was unique and well-suited to the songs he sang.
  2. Benjamin’s vocals were unfailingly beautiful and varying in range and delivery, and his bass playing was both melodic and powerful.
  3. Elliot’s lead guitar contributions were non-egocentric, masterful and relevant to each song.
  4. Greg was an incredible multi-instrumentalist, and his synthesizer sounds were bursting with creativity and style.
  5. The edgy and intelligent rhythms that David maintained, in addition to his artistic and architectural contributions to the band, formed the scaffolding that all of the other elements relied on.
  6. These five men consistently interlocked in live performances, recreating their studio sound with near perfection, often coming across better live than on vinyl.

Musical excellence and talent? Yeah, they’ve got that.

Third criteria: “…had a significant impact on the development, evolution and preservation of rock & roll…” I do think this can be a tricky one to measure, especially for the layman (namely ME) who doesn’t have a bunch of statistics to lean on (shocking, I know). But with all that I’ve read, I DO know that The Cars qualify in these ways:

EVOLUTION: The Cars are widely credited with a) infusing new sound into a stagnant roster of late seventies music — a fancy way of saying that no one sounded like they did; b) bridging the gap between traditional rock-and-roll and pop music; and c) paving the road for a whole new genre of music: New Wave. [Side note here: One afternoon my 17 year-old son, who is heavily into dubstep, was turning his nose up at my Cars music, and I sternly told him that he should send Greg Hawkes a thank you card for all that he did in pioneering the use of synthesizers and electronics in the music world! Of course, my son didn’t appreciate that very much. Haha!] They were also on the cutting edge of music video production and promotion.

DEVELOPMENT: Additionally, ALL of the members of the band have worked on numerous projects outside of The Cars, supporting and growing other artists in a wide variety of genres and through many methods (production, promotion, writing, background vocals, session instrumentation, etc.), not to mention their own solo work.

PRESERVATION: Further, music by The Cars shows up just about everywhere: in movies, children’s programs, commercials, and in 2016 as a constant presence in a new CBS television series called BrainDead. Their sound is as addictive, influential, and necessary to today’s culture as it ever was.

I know I painted with some broad strokes there — just trying to keep it simple when I could go on and on and ON… but that’s my case for eligibility and I’m standing firm on it.

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So how have The Cars done so far? They were nominated for the first time in 2015 (for induction in 2016), finished third in the fan poll (less than a tenth of a percentage point behind second place) and failed to get inducted. There was some amount of controversy surrounding the voting process. Under poor management by the Rock Hall, the poll appeared to have been hacked allowing computer ‘bots’ to submit millions of votes unchecked. Though no one was accused outright, a shadow was cast on the five bands that benefited from the suspected activity (including The Cars) and the reputation of the RRHOF Fan Poll took a major blow.

The Cars made the nomination ballot again in 2016 (for induction in 2017), and again, questionable management and murky communication by the RRHOF threw the whole fan poll into chaos. This time the Rock Hall apparently held back a slew of votes while they were verifying the integrity of those votes, and then dumped them all into the poll in one day. This made the overall totals for a bunch of the nominees go crazy and changed the order of the leaders. While no band was knocked out of the top five, The Cars were the only ones negatively affected, dropping from #3 to #5 in the rankings. They were not chosen for induction. Which brings us to where we are today…

The question I can’t help but ask now is: how much do The Cars themselves really want it? The fan poll voting was open from October 18 through December 15, 2016. The official Cars’ Twitter and Facebook pages were largely silent, doing almost nothing to encourage the fans to vote. Even “The Cars Nomination for the Rock and Roll Hall of Fame and Museum” Facebook page (which is run by Les Steinberg, Elliot Easton’s brother, but not officially endorsed by The Cars) stopped promoting daily activity in the fan poll ten days before the voting closed. Is this indicative of the band members’ desire to get into the Rock Hall?

In 2011 Ric Ocasek was asked by Stephen Colbert, “Why aren’t you guys in the Rock and Roll Hall of Fame?” and Ric answered, “You know I really don’t know. I don’t know if I want to be in it.” (The Colbert Report) When the 2015 ballot was announced David Robinson said, “It is what it is, but actually I don’t pay any attention to that whatsoever. It isn’t anything we’ve strived for, let’s put it that way.” (The Boston Globe); and Elliot indicates in this 2014 RockSolid interview excerpt below that he’s not losing any sleep over whether The Cars are in the Rock Hall.

And all of those votes for The Cars in the fan poll this year? With little encouragement coming from the band’s official pages, the “Fanorama” stepped up and led a grassroots campaign that held The Cars solidly in the top 5 (in spite of the RRHOF’s voting mess). Twitter pages like @Night_Spots, @Tracey2063, and @JWINZombieGirl, along with Facebook fan groups like “The Cars” and “Benjamin Orr Remembered,” all contributed DAILY reminders and links to vote, which were shared and retweeted time and again, reminding people to make their voice heard. I am so proud of our dedicated fan base — how we love our boys!

So if it’s no big deal to them, why should I care one way or the other? Here are MY reasons I want The Cars inducted (in no particular order):

  1. They are deserving of it (see paragraphs above) and I want their contribution to rock 14993335_593020314240592_8536782637626328485_nand roll history to be acknowledged and recognized by their peers.
  2. I want Benjamin’s memory brought into the spotlight and honored all over the world.
  3. I love them! Their music moves me in every mood and brings me joy daily.
  4. I want an excuse to see the four remaining members together on stage again.
  5. I want to be able to say “BOOYAH!” to those naysayers that look down on my love for The Cars.

My final thoughts? I’m disappointed but not devastated. They have proven their relevance over the years, influenced countless bands that came after them, and wrote a soundtrack for my life that will never change. Whether they ever get into the RRHOF or not, The Cars will always be number one with me!

[All Cars graphics courtesy of @Night_Spots; image of the RRHOF ballot from Twitter]

It’s just an automatic line…

The other day in the car I found myself answering this question from my 11-year-old: “What the heck is he saying???”

We were at the end of rocking out to Night Spots, and it was where Greg is repeating, “It’s just an automatic line…” I told my son what the words were, and then explained my take on the lyric choice: In a lot of songs the singer repeats a line over and over at the end, and I think it was The Cars’ quirky sense of humor that led them to use those lyrics in kind of a teasing way; maybe poking fun at that habit of singers/songwriters (including themselves). Of course, as I’m telling him this, my own speculation makes me love the song and the band more than ever.

eenightspotssoloWhether my explanation is accurate or not, there is no denying that Night Spots is a damn fine song, with a heavy, pulsing bass line, a fantastic Elliot guitar solo, and bad-ass lyrics. And of course, Greg’s masterful synthesizer work! The song was written by Ric Ocasek (of course!) for The Cars’ first album, but ended up being used as the seventh track on Candy-O instead. It became a staple of their live sets in 1978 and was played in concerts all the way through 1987.

There are two studio versions published and both seem to exude power, though in different ways. The first one released, of course, is the track on Candy-O. It starts out with a little introduction of the synthesizer melody that hooks you for the entire song, and then the other boys are all in, churning away on that rocking beat. Every instrument is so present in this recording. Put on some headphones and get away by yourself for a few minutes — SO many audio delights here! Ric sings the lyrics perfectly; in fact this is one in a handful of songs where I would say I LOVE his vocals. His unconventional style is exactly what this song demands. Another favorite little tidbit about this tune is that in the live recordings Ric sometimes changes up the description of the woman’s hair: long blonde, blonde long, kinky, curly…

The demo version, likely recorded in 1978, wasn’t released to the world until it came out as part of 1995’s Just What I Needed: The Cars’ Anthology. Again, grab your headphones. This time we start out with an addictive beat, and then the layering begins: guitar, bass, guitar; building until the vocal jumps in, but with an almost entirely different set of lyrics. And here again, Ric’s singing is spot-on. In this version he comes across as rather amused and mocking of the woman in the song; as opposed to the bit of desperation, the awe for her that he portrays in the Candy-O cut. The biggest difference between the two tracks? There is no keyboard part in this early demo, and no blazing EE solo. Where the vinyl is poppish and danceable, this version is very bass-driven and very slinky… sexy. Quite a contrast.

It should be no surprise that I love both recordings. Each one conveys its own mood and message; I easily think of them as two individual songs, rather than one being an early version of the other. I’m going to post links to both of them here. I’ve decided not to use fan vids, mostly because I want to encourage you to close your eyes and focus on this incredible music. Enjoy!

CANDY-O VERSION

 

DEMO VERSION:

Musical manipulation?

Even though  my kids are NOT Cars fans they are pretty good sports about my obsession (well, to the extent that they know about it). They laugh at my t-shirts, and listen to my little informational tidbits, and roll their eyes when they come home early and catch me blasting the stereo. And… they’ve pretty much figured out that they can manipulate their mama by quoting Cars’ lyrics to me.

I’ve had my 16yo daughter end a request with, “Please Mom, you know it’s just what I needed.” — many times! Or she’ll turn on The Cars station on Pandora and approach me with it playing as her lead-in to whatever she’s going to ask. And my 10yo son has gotten his way more than once by singing, “Don’t tell me no, don’t tell me… no!” while trying 100_9313to get chocolate from me. They know just when to wink at me and say, “We’re sorry, Mom, it’s all mixed up!” or “C’mon Mom, gimme some slack!” Even my 18yo son, who practically breaks out in hives whenever he hears The Cars, is skilled at telling me to ‘shake it up’ when I’m being uptight.

Sprinkled in there are the standards: ‘Let’s go!’ ‘Uh-oh, it’s magic,’ ‘It’s all I can do,’ and ‘Bye bye love!’, all delivered with a little shoulder shake and the two-handed, index-finger-out-thumbs-up gesture (is there a name for that?). They’ll even say to my hubby, “Daddy-O… I need you!”

The funny (shameful?) thing is that, the majority of the time, it WORKS.

My most favorite quote, however, came not from one of the kids but from my hilarious, foxy husband. Last week we were driving home from a school event and he said something smart-alecky, looking at me like he was the funniest guy in the world. I was *not* amused, so of course, I gave him that look like ‘oh please.’ As he turned his eyes back to the road he chastised himself quietly, “You were trying to be cute and it didn’t work out.” I burst out laughing and my bad mood was broken.

I love that even though my family doesn’t see what the big deal is about The Cars they understand and respect that *I* think The Cars are awesome, and they enjoy teasing me about it, and are not afraid to use it to their advantage in harmless ways.

I also love that while my kids claim to HATE The Cars, they have all those terrific songs tucked inside their little brains, and someday they are going to be in a store and hear Benjamin’s beautiful voice singing on the Muzak and get all sorts of warm, fuzzy feelings about this amazing band and go, “Aaawww!” So who is really being manipulated?

[Well played, Mom. Hahaha!]

Raising them right.

I have four kids, ages 10-17,  and for the most part, they do not enjoy listening to the Cars. They tolerate it fairly quietly, although whenever we get in the car they beg, “Please, Mama, NOT the Cars!” But if they *have* to listen to anything Cars-related (and they often do) they prefer Benjamin’s solo stuff. As you can imagine, that is FINE with me!

So… a funny thing happened this weekend…  I had to give my 13yo daughter instructions on the proper time and place to ‘go deeper’ about the Cars. Hahaha!

We met another parent while we were at my youngest son’s soccer game and the subject of music came up. EG (my precocious one) asked him if he had ever heard of the Cars, because her mother was obsessed with them. Yep, of course he’d heard of them, he said. Sooo…  EG launched into a monologue on the merits of Benjamin’s voice on his solo work (she prefers the unreleased tracks over The Lace because, as she notes, “his voice sounds so much more mature and he seems to really believe in the lyrics he’s singing”), and she is really getting into her little speech when…

I notice the other parent’s eyes had glazed over (just before he turned his head to look anywhere else but at her), and he mumbled something about how he likes all genres of music… before he abruptly moved away.  So I gently told my daughter, “Honey, some people just listen to the Cars on the radio and they don’t really want to discuss it.” She just shook her head — foreign concept. We had a good laugh over it.

Here’s her “all-time favorite” Benjamin song (the one she says she’s going to sing if she ever gets on America’s Got Talent — LOL):