One of the most exciting articles I’ve written for my blog is the piece I did with Leo Yorkell, published on February 14, 2019. I remember my curiosity when he first contacted me through Twitter, and how fun it was to talk with him on the phone. He was so genuine and funny, and his love for Ben was unmistakable. I was thrilled with his insights into Ben’s life in the mid-90s and how he fit the puzzle pieces together of Ben’s softball-playing adventures. Then he really blew me away when he started digging around and unearthed old photos, videos, and newspaper clippings (like the one below) that had long been packed away, and generously shared them!
One of the treasures Leo had found was the video footage he shot of Ben playing in Cleveland Circle, Boston, in the summer of 1997. As part of this month’s #CelebratingBenjaminOrr tributes, we’ve uploaded Ben’s full 6-song set, uncut, including the previously unreleased performance of “Stay The Night.”
This short show is one hit after another, and is sprinkled liberally with Ben’s winning smiles. Beyond that, here are half a dozen other notable nuggets:
0:16 Ben cuts it close when mounting the stage and gets to the mic just in time for his first line, but remains unruffled even as his guitar strap refuses to cooperate.
1:45 The ORR band’s cool arrangement of “Let’s Go” has Rich Bartlett and John Kalishes trading guitar licks while Ben looks on.
The run of Ben’s facial expressions between 5:20 and 5:30 is priceless.
What a treat to catch glimpses of Edita and young Ben in the audience, and to see how even from the stage Ben adores his son. We can also see the late Dave Tedeschi at both the beginning and end of the show.
12:24 Ben acknowledges someone else in the crowd. Does he say Vinny? Maybe Vin Kalishes is there? Is it the same person Brad smiles at at 10:18 and Ben at 10:30?
At 15:20 Ben flubs the lyrics, and then tucks his arm behind his back, causing Tom to laugh. How much you wanna bet he was flipping the bird?
What else stands out to you?
Enjoy the video, and please comment below to join me in giving a grateful shout out to Leo for his role in keeping Ben’s legacy alive! ❤
It’s not often that we get to hear what goes on before and after a concert. I’m thrilled and grateful that I had the opportunity to peek behind the curtain of this special show, thanks to David Curry, Chuck Nolan, and Jeff Viele.
Viele’s Planet was a popular adult bar and concert venue in Springfield, Illinois, from July of 1994 to October of 2006. The owner, Jeff Viele, specialized in booking original music acts, and also sometimes catered to younger music enthusiasts by hosting non-alcoholic, all-ages shows for the local community. The location accommodated about 400 people, and featured a stage and a long dance floor area as well as patron seating. Through the years, artists such as AFI, Mojo Nixon, and Metal Church played there. And guess who else? That’s right, our favorite guy!
Jeff Viele contacted Orr’s management when his good friend, Chuck Nolan, began campaigning to get Benjamin to come for a show. Chuck was (and is) a huge Cars fan, and he had met Benjamin during a show in Quincy, Illinois, in 1997. Chuck invested a lot of time and energy in getting to see one of his rock heroes play live in Springfield. Between Jeff and Chuck, arrangements were made for Benjamin to perform at Viele’s Planet on August 15, 1998.
Preparations leading up to the day of the event involved collecting the supplies and equipment required on Benjamin’s professional rider. Included on this list was a drum set. Benjamin’s management was very detailed about the specifications they wanted. Chuck contacted a local music store, brought in the faxed specs, and was assured that the owner would have it all available on the day of the show. Chuck stayed on top of things, phoning the store the week of the performance to make sure everything was coming along.
“We show up the day of the show, and the owner is acting like he hadn’t thought about any of this since the first time we spoke! He’s like, ‘Uh, uh… oh! Here’s some sub-Kmart-level drum kit you guys can have tonight.’ Unbelievable!” Chuck groans. “Here I am greeting rock royalty, my childhood hero with my tail between my legs! It was obvious this substandard drum kit wasn’t going to work.” He’s able to laugh about it now. “Thankfully, I had made some calls, and my friends in a band called The Love Hogs (who were scheduled to open) were in possession of a great drum kit and they came through for us. Heart attack averted!”
August 15th arrived. Around 3 pm, Benjamin walked into Viele’s, looking like a classic biker dude, with his sleeveless black t-shirt and his shaggy blonde hair flowing from under the bandana tied around his head. He and his tour manager, David Tedeschi, took a seat at the bar while Jeff bustled about getting ready for the night. Chuck soon joined them. They made small talk about where Benjamin lived, his kids, and his motorcycles. Chuck had designed some huge subway flyers to promote the show, and they caught Benjamin’s eye in the bar. He was so impressed that he asked if he could have a couple to take home to frame and put in his children’s rooms. Of course, they let him.
While Benjamin’s road crew was getting things set up on the stage, Chuck had plenty of time to chat with Benjamin. They got to talking about Benjamin’s set list, and Chuck mentioned some of the deeper cuts that he’d enjoy hearing Ben perform, like “Down Boys” and “Think It Over.” Ben responded that he’d love to play other Cars’ songs, but he only had permission to do certain numbers.
They also talked quite a bit about The Cars and the possibility of a reunion. Chuck tried delicately to approach the subject of the band’s break up, but “like a true gentleman, Benjamin would not go into specifics.” Chuck does remember that after a few moments of quiet contemplation, Benjamin said something along the lines of, “You know, I want you to know something. I was never mad at any of the other guys. Ric is the only one I had a beef with at the time, and honestly, I’m not even mad at him anymore.” (Please remember that Chuck is paraphrasing to the best of his memory; it’s not gospel.)
With the band and the soundman finished setting up, Benjamin did his vocal sound check as well as the sound check for the drums. Click here to see RARE and amazing footage of Benjamin playing the drums for “Just What I Needed” — shared by Chuck Nolan and uploaded by Dave Curry. (Thank you SO much, Chuck!) Once they got the technicalities squared away Benjamin and his team headed back to the hotel to rest before dinner.
In addition to the bar’s own advertising, Viele’s had teamed up with local classic rock station WYMG to heavily publicize Benjamin’s performance. The radio station invited Ben out to the Illinois State Fair where they were promoting him and the show. After dinner, Jeff and Chuck drove Benjamin out to the fairgrounds. The parking was terrible and they had bit of a walk ahead of them. Jeff was worried that they wouldn’t get Benjamin to his location on time, but luckily Jeff recognized a guy zipping around in a golf cart. The friend gladly agreed to let the guys hitch a ride to the Miller beer tent, where Benjamin arrived for his interview as scheduled.
In the meantime, Dave Curry and his good friend Tom arrived at Viele’s around 7 pm. (Both men had also met Benjamin in 1997 at the Quincy show.) Tom had made arrangements to hand off a copy of the book Frozen Fire to David Tedeschi. The two spent the next several hours with Tedeschi and some of the other crew members, thumbing through the book and chatting easily about the early days of The Cars. Dave remembers, “Tom and I had recently found a warehouse online that had copies of the book very cheap, so we had purchased multiple copies. Well, all of the crew guys wanted one. I had more than a dozen at my apartment (which was five minutes away) so I went back home and got them. I even got a copy for Benjamin.”
Before long, folks started arriving for the show. “Regarding the turnout, I’m sorry to say it wasn’t good,” Chuck laments. “We had booked it on the last night of the Illinois State Fair. Springfield’s music scene is, for the most part, apathetic but on a State Fair night, your average middle-aged Cars’ fan was probably home passed out, with a belly full of corn dogs!” Estimates for the show range from 50 to 100 people. “I never heard Jeff Viele complain, either,” Chuck continues. “I think the memories were priceless to him.”
It was nearly 11:00 pm when Benjamin and his band took the stage at Viele’s Planet. The ORR band was made up of Rich Bartlett on lead guitar, Tom Hambridge on drums, Chris Lannon on bass, Tommy West on keyboards, and Benjamin on rhythm guitar.
Chuck describes the experience. “The band members were top-notch professionals, and to hear that voice in your local watering hole was very surreal! Rich Bartlett was particularly impressive, hitting all of Elliot’s signature phrasings, but adding his individual sense of flair. I thought Ben picked great songs from The Lace, and the live delivery had even more heart than the LP.” In spite of the small turnout, Chuck says, “Overall it was like seeing an arena level show with a private party vibe. Everyone there was a true fan.”
The entire show is available on Youtube (link below); it was filmed by the late Pat Egizi. Here is the set list:
Too Hot To Stop
Just What I Needed
I’m Coming Home Tonight
Even Angels Fall
Moving In Stereo
Bye Bye Love
Encore: Stay The Night, I Am
As we often see with his late 1990s shows, Benjamin played it ‘fast and loose’ with the lyrics. You can tell he is having fun with it, bantering with the audience. During his performance of Iggy Pop’s “Funtime” he sings, “Last night Chuck was down in the lab talking to Dracula and his crew…” Chuck got a kick out of that, of course!
After the show Benjamin and the crew headed downstairs, which served as a kind of ‘dressing room’ for the band. Dave, Tom and Chuck all hung out there, too. Benjamin sat on the couch with a beer, signing autographs and chatting with people. Dave was able to talk with him for a while. Ben’s pleasure was obvious when Dave offered him the copy of Frozen Fire, in which Dave had written, “Benjamin — Thanks for coming our way. Dave Curry, Springfield, IL.” Benjamin carefully tucked into his black leather shoulder bag nearby.
He signed Dave’s copy of The Lace, and Dave also asked if he would autograph a couple of the promo fliers for his nieces. Ben signed the first one using a black pen, which didn’t show up very well. He apologized and was going to switch to a pen with silver ink instead, but Dave explained with good humor that his nieces were eight-year-old twins, and that it would be near-pandemonium if Dave brought two fliers that were not identical. Benjamin kind of laughed and shook his head, and he happily obliged. (Dave recently discovered that his niece Melissa still has hers, pictured right. Isn’t that so sweet?)
Both Dave and Chuck remember that Benjamin enjoyed talking about his son. “He was a proud father, showing everyone a picture of his son,” Chuck recalls. Dave confirms with a laugh, “He had pictures of Ben Jr. that he took out and showed me. Lots of Power Rangers and Ninja Turtles on that kid, as I remember.”
They both also recognized the sincere kindness and humility in Benjamin’s character. Dave had acted as a guest DJ on a local radio show earlier in the year, and he related to Benjamin that as part of his set he played a few songs from The Lace. Benjamin’s surprise was genuine, and his “thank you” was both humble and sincere.
Chuck remembers that at the end of the night “Ben shook my hand and said ‘ciao’ in that deep, resonate voice… Not an iota of rock star attitude in him, a good guy.”
It was after 3am when Jeff Viele finally locked up and left his bar. He headed over to a local late-night diner called Mr. Ted’s. Now this place was a little rough, as you can imagine… it was the catch-all eatery for everyone leaving the bars and trying to sober up before heading home. There was one particular fry cook that was a bit surly and would engage in yelling matches with the clientele.
For whatever reason, it turned out that this night was Jeff’s turn to bump heads with the cook, and as they were exchanging loud insults with one another the door to the restaurant opened and low and behold, who should be standing there? That’s right: “It was Benjamin and his manager. They took one look around the place and you could tell by their expressions they were NOT impressed… they turned right back around and walked out,” Jeff laughs. “That was embarrassing!”
Okay, I can’t put off writing about it anymore. It is the elephant in the room. Well, you know… the elephant in the room in my head that is filled with Benjamin.
If you’ve spent any amount of time on this blog you know that I am head-over-heels, crazy in love with Benjamin, completely immersed in his legacy, and totally obsessed with his life. Nothing he did will ever change that. And you might think that *I* would think that every little thing he did is sheer perfection. And for the most part, every little thing he did is perfect… but there’s this one thing.
This one thing that he did. It makes my cheeks burn with embarrassment.
It’s the video for “Too Hot to Stop.” I can’t STAND it.
There. I said it.
Before you decide to hate me at least hear me out!
Benjamin in black leather? Yes! And you can’t unzip that jacket far enough, buddy. That Hawaiian tan? Bring it on. Cameos by David and Greg? Supportive friends warm my heart. The song is great and I gleefully listen to it over and over. But please…
Someone PLEASE give my man a guitar!!!
I’m just going to lay it all out here. Benjamin, bless his heart, certainly seems to be giving it his best shot… but he looks SO uncomfortable in this. His makeup is awful. His Neil Diamond dance moves are painful to watch. The lip-synching is a disaster. And I feel like I can tell pretty much every point where they stopped filming and Someone said, “how about you dance like this” and “why don’t you move over this way” and “try throwing your arms up” and “now give us the smoldering look.” At no time does he look to me like he’s truly enjoying himself.
Up until I decided to write this review I had only watched this video twice. You can imagine my expectations the first time I clicked ‘play’, can’t you? Can’t you??? Well, it was like a sucker punch. I couldn’t have been more dismayed if he had come out with his head shaved and wearing Steven Tyler’s tights.
I wanted to love it so much! It’s BENJAMIN, for crying out loud! I watched it a second time, thinking that maybe it would move into that grace-filled category of “it’s so bad, it’s funny and I love it” – but no, just more trauma. And in spite of my dear friend Jen’s attempts to get me to give it another go, I just couldn’t do it. I refused to pull it from the corner where I had shoved it, deep in the back of my mind, and managed to ignore it for a while… and yet here I am. I can’t seem to let it go.
Now come on. Think back to every performance you’ve ever seen of Benjamin Orr — and I’m talking about before this video *and* after. That cool demeanor, those sensual facial expressions… how he could define ‘rock star’ just by standing there, working that bass or guitar and mesmerizing you with his voice, and then turn your knees to noodles with his brilliant smile. This persona fit him perfectly; he was in his element. It was obvious that he was comfortable there; I believe it came very naturally to him.
The Benjamin Orr of the 2H2S video is just *not* him. It seems like a parody, a joke. Whose idea was this? Please don’t tell me it was the 80s and that’s what everybody did. This was Someone’s concept *for* Benjamin but not *about* Benjamin; it was Someone trying to push a rock star peg into a cheesy hole. It was Someone trying to make my man into something he wasn’t.
But I will say this for him, he was a gamer. However uncomfortable he may have been he pushed through and made it happen; made Someone’s dream come true. And yes, I’m definitely convinced that this was NOT his idea… because he just looks SO wrong.
I read an article from The Boston Herald, dated January 24, 1987, about the making of the 2H2S video. Most of the column inches are spent talking about the complex state-of-the-art lighting used for the ‘futuristic’ backdrop on the set. There is one quote from Benjamin; he says this: “My only idea was to have the video have something to do with outer space. That’s what seems to capture attention the most these days, so I wanted to see if we could go out there for a while — or at least fool the camera into thinking we had.”
My darling, nerdy, love-of-my-life, I wish you had been a just little more opinionated as to how this was all going to play out…
Not sure I can really find my usual little tidbits to gush about. Certainly that smile at 3:30 melts my heart. I know we all adore Benjamin, and I accept that not everyone feels the same way about the 2H2S video as I do, so I’ll let you watch and add your own heartthrob moments in the comments. Maybe you can point out something wonderful that I missed.
I have four kids, ages 10-17, and for the most part, they do not enjoy listening to the Cars. They tolerate it fairly quietly, although whenever we get in the car they beg, “Please, Mama, NOT the Cars!” But if they *have* to listen to anything Cars-related (and they often do) they prefer Benjamin’s solo stuff. As you can imagine, that is FINE with me!
So… a funny thing happened this weekend… I had to give my 13yo daughter instructions on the proper time and place to ‘go deeper’ about the Cars. Hahaha!
We met another parent while we were at my youngest son’s soccer game and the subject of music came up. EG (my precocious one) asked him if he had ever heard of the Cars, because her mother was obsessed with them. Yep, of course he’d heard of them, he said. Sooo… EG launched into a monologue on the merits of Benjamin’s voice on his solo work (she prefers the unreleased tracks over The Lace because, as she notes, “his voice sounds so much more mature and he seems to really believe in the lyrics he’s singing”), and she is really getting into her little speech when…
I notice the other parent’s eyes had glazed over (just before he turned his head to look anywhere else but at her), and he mumbled something about how he likes all genres of music… before he abruptly moved away. So I gently told my daughter, “Honey, some people just listen to the Cars on the radio and they don’t really want to discuss it.” She just shook her head — foreign concept. We had a good laugh over it.
Here’s her “all-time favorite” Benjamin song (the one she says she’s going to sing if she ever gets on America’s Got Talent — LOL):